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Washington University in St. Louis provides an outline for designing a course that uses the principles of backwards design (meaning that it begins with goals and works backwards to content).

Accesible Design Checklist: Overview
This post provides an overview checklist for some digital composition accessibility requirements. This is meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the first part of the Accessible Design Checklist series: 

Overview
Text and Content
Multimedia

Overall Design Accessibility
When looking at the design, composers should consider the overall structure and content.
Design FormatFor digital distribution, web pages with HTML or CSS are the most accessible. Other accessible options (when following the design checklist) are Word or Google Docs. PDFs are only accessible if they have been remediated correctly. DisplayInformation is set to be perceivable in either landscape or portrait modes. The design should not require users to scroll in both up/down and left/right. The design can be zoomed in without losing meaning. The design should be able to be navigated and interacted with using a keyboard alone. HeadingsHeadings use tagged heading structures with hierarchies. The headings do not skip levels. Use the Level 1 Heading designation only once per design.LanguagesThe design’s language is set to the primary language of the document. Any words or phrases in additional languages are set for those words as a different language. NavigationThe design allows for more than one way to find relevant pages within a set of pages. The design also provides content overviews with links so that users may bypass content.OrderThe design provides an easily understandable order to the content. When using lists, use bullet points and order the information logically, such as alphabetically or by data size.TitleThe design has a specific title. This title is displayed in the document name or the tab of a website.
References and Resources for Accessible Design

Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist 
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview

Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Text and Content.Accessible Design Checklist: Overview © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Close checklist wooden surface" is marked with CC0 1.0.

Accesible Design Checklist: Text and Content
This checklist meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the second part of the Accessible Design Checklist series: 

Overview
Text and Content
Multimedia

Text and Content Accessibility
When looking at the overall design of content, composers should consider the overall text and content on their designs.
Color ContrastColor alone should not be used to convey meaning. When color is used beside black and white, it should have a color contrast between the text and background of at least 4.5 to 1. Spartan Green is also an acceptable addition to use with white. The colors used should not affect colorblind users.FontThe font chosen should be a sans serif font with no narrow, bold, or decorative features. Preferably, a font that has unique characters (e.g., the I, l, and 1 are different) should be chosen. 

In general, no more than two different fonts should be used.
The font size should be at least 12 points.

HyperlinksHyperlinks should be descriptive, which means that without the context of the sentence around the hyperlink, it should be understandable on its own. Avoid using the full link directly into a design.Inclusive LanguageThere are many considerations for written language within a design. 

The work should avoid jargon and idioms that are not understandable for a wide audience. 
Written work should be concise and understandable. 
Avoid using a word fully capitalized to convey information (if it’s not an acronym). Acronyms should not be used without first defining them.
Avoid using language that excludes and/or harms users, such as ableist language or genderist language. 

SpacingText should be left-aligned, and alignment should not be used to convey meaning. There are many textual spacing properties to consider in designs: 

Line spacing is at least 1.5 times the font size;
Spacing following paragraphs is at least 2 times the font size;
Letter spacing is at least 0.12 times the font size; and
Word spacing is at least 0.16 times the font size.

TablesTables should be used for tabular data rather than visual presentation. Use simple tables with one column and/or one row with headings and avoid merged cells. Tables should have captions, textual contextualization, and all cells filled.
References and Resources for Accessible Design

Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist 
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview

Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Multimedia.Accessible Design Checklist: Text and Content © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Free close design text computer" is marked with CC0 1.0.

Boston College's Center for Teaching Excellence provides an outline for creating a course that uses the principles of backwards design (meaning that it begins with goals and works backwards to content).

Beginning to Teach Inclusively
How do I encourage students to bring diverse perspectives to the subject matter I teach? How can I promote inclusive behavior of students working in groups? These were just a few questions posed by approximately 45 doctoral students and postdocs at the “Cultivating an Inclusive Classroom” workshop I ran last year with Dr. Sheila Contreras. To begin answering them, Inside Teaching posts over the next few weeks will address different areas for you to focus on toward a more inclusive classroom. In today’s post, I’ll discuss where to begin: making your curriculum design choices more inclusive.
What Do I Mean By “Inclusive”?
Before I start discussing how your content and curriculum design choices can be more inclusive, let’s start with a working definition for an inclusive classroom. According to the Association of American Colleges & Universities, inclusive classrooms are learning spaces where “active, intentional, and ongoing engagement with diversity” occurs “in ways that increase awareness, content knowledge, cognitive sophistication, and empathetic understanding of the complex individuals interact within systems and institutions.” 
 
So, as an instructor concerned about inclusive teaching, I encourage you do consider how your course content and assignments both represent a diverse (for example, gender, sexual orientation, race/ethnicity, nationality, epistemological perspectives) set of scholarly voices and how you can hold yourself – and your students—to more inclusive standards of behavior and discourse in the classroom.
Inclusive Classrooms Require Intentional Thought and Not “Extra Work”
Graduate students and other beginning instructors are often overwhelmed by the volume of things they need to learn about teaching in a college classroom or lab. Creating an inclusive environment in your classroom does not require “extra work” – what it requires is “intentional thought” in how you plan and implement your classes. This involves a deliberate awareness of the decisions you’re making and the impact they have on how you represent your discipline and the multiple voices connected to it. I’d argue that this level of intentionality is a key hallmark of curriculum design across disciplines. To help with this intentionality toward more inclusive classrooms, I provide the following four tips below.
Four Tips Toward Inclusive Curriculum Design
(1) Select the work of scholars from different cultural or paradigmatic backgrounds
Make sure you are presenting a variety of voices and perspectives across the course readings, videos and material you select.  Additionally important is presenting a full spectrum of disciplinary paradigms in the field so that students have a full picture of disciplinary conversation(s).
(2) Acknowledge the limitations of course material with regards to demographic representation
Frame what you are providing and point out the potential limitations of your materials. This can help students see how and why you have made the decisions you did. This can also help students to get a better window into your teaching decisions and engage alongside you critically.
(3) Pay attention to WHO and HOW you represent in your presentation slides, case studies, videos, and guest panels
As with our tips above, it’s important that the slides, case studies, and videos you use reflect multiple voices and backgrounds. Additionally, it’s important to pay attention to how various individuals and groups are portrayed in these materials. In their portrayals, are you sending the messages you want sent to a diverse group of students?
(4) Maximize the inclusion of all student voices in instructional activities
Make sure you provide multiple opportunities and safe spaces in your classroom for all student voices. Not all students will immediately respond to one way of engaging in the classroom, so make sure your approaches vary and respond to what you have come to know about the different students in class. We will share more specific tips about instructional activities in later posts.
 
Additional Resources
The goal of the Inclusive Teaching Workshop, in addition to soliciting student questions, was to present a Framework for Inclusive Teaching, modified from resources from both a resource from the Center for Research on Teaching and Learning at University of Michigan and a paper produced by the Bok Center for Teaching and Learning at Harvard.
 
We’d like to know: What have you done to make your course content and curriculum more inclusive? Share your thoughts with us in the comments section below or with us on social media using the hashtag “#iteachmsu.”
 

 
Originally posted at “Inside Teaching MSU” (site no longer live): McDaniels, M. Cultivating Inclusive Classrooms: Inclusive Curriculum Design. inside teaching.grad.msu.edu

LearnDAT is a resource providing guidance in all stages of e-learning development for MSU instructors.

In mid-November, CIRCLE hosted a workshop on interdisciplinary course design and teaching. It was a generative conversation that gave MSU educators interested in interdisciplinary teaching the chance to connect and share resources and tactics. We showcased 2 panelists with experience designing and teaching interdisciplinary courses: Erin Dreelin (Fisheries & Wildlife and Center for Water Studies) and Garth Sabo (Director of the Center for IAH). The panel discussed effective interdisciplinary course design, strategies to address potential challenges, and the potential benefits of interdisciplinary courses for instructors and students.This workshop's goal was for both new and seasoned interdisciplinary educators to move their own practices forward, from classroom strategies to evaluation of interdisciplinary teaching effectiveness. Participants had the opportunity to reflect on their own interdisciplinary teaching philosophies and work on individualized plans for interdisciplinary teaching.You can watch Garth Sabo's panel contribution video below, in which he describes some of his experiences plannign and teaching interdisciplinary courses. You can also access CIRCLE's interdisciplinary teaching resources at this link. Our resources include:



Harden's Ladder of Integration framework for interdisciplinary course design
a handout including the benefits, challenges, and institutional resources to support interdisciplinary teaching
a personalizable planning worksheet that you can print and complete



If you have any questions about interdisciplinary course design, you can contact Ellie Louson, CIRCLE's associate director of interdisciplinary teaching & learning (lousonel@msu.edu), or our panelists Erin Dreelin (dreelin@msu.edu) and Garth Sabo (sabogart@msu.edu). Save the date for our second interdisciplinary teaching & learning workshop, which will focus on co-teaching and collaboration on interdisciplinary teaching teams. It will be held February 14th 10AM-1PM (registration link TBA).If you are interested in further programming from CIRCLE, please apply to become one of our affiliates here: https://research.msu.edu/circle/affiliate-faculty-program  (we accept applications on a rolling basis).

Title: Hyflex Course Design: Creating Accessible Learning SpacesPresenters: Casey McArdle; Imari Cheyne Tetu (WRAC ); Liza PottsOriginally presented on May 11th, 2023Description:Under “equity” in MSU’s strategic plan, it notes, “We will eliminate barriers to access and success.” If MSU is to uphold this plan and create accessible spaces on campus, it must embrace new pedagogical approaches towards education. One approach that this panel will explore is the hyflex model, where part of a class attends in-person, while another part of the class can attend via remote technologies such as Zoom or Teams. This panel will discuss three courses that have utilized the hyflex model over the past few years to eliminate barriers for student success. These courses are in the Experience Architecture (XA) program, an undergraduate UX degree housed in the College of Arts and Letters. XA has three core principles: usability, accessibility, and sustainability. Our alumni work all over the world as UX designers, UX researchers, project managers, accessibility specialists, product designers, and software developers for companies such as Ford, Rivian, Google, Meta, and Adobe. Upon graduation, many will work in hyflex environments. This course design models best practices for how hyflex interactions might occur in the workplace and lays a foundation of empathy in our students upon graduation. Knowing what it is like to work remotely as well as in the office can give students unique experiences that they can take with them to inform their professional spaces. This panel will directly address how we created accessible hyflex classrooms that are engaging and support student learning. We will explore the practices behind the hyflex model, see various deployments of the model via hardware, software, and pedagogy grounded in accessibility. Attendees will be able to see classroom activities and practices that they can take with them, along with a model of how to deploy the hyflex model in their own classrooms.



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