We found 117 results that contain "disability justice"
Posted on: Spring Conference on Teaching & Learning
PEDAGOGICAL DESIGN
Rethinking Access: Fatigue, Hostility and Intimacy in Teaching and Learning
Title: Rethinking Access: Fatigue, Hostility and Intimacy in Teaching and LearningPresenter: Emily Abrams (TRIO Student Support Services); Colleen Floyd (RCPD); Hannah Huey-Jones (RCPD); Jessica Lutz (RCPD)Format: WorkshopDate: May 11th, 2023Time: 11:30 am - 12:30 pmClick here to viewDescription:Disabled students have experienced access fatigue (Konrad, 2021) and access hostility (Samuels, 2021) throughout their college experiences long before the onset of the pandemic. Covid-19 has shown higher education professionals the many ways in which accessibility can be implemented, yet it is still denied (Campanile, 2020). In order to resist returning to the ableist practices of pre-pandemic times, we must learn from lessons of the last few years and create access intimacy (Mingus, 2011)–the elusive experience when someone deeply understands and cares about a disabled person’s access needs–and access beyond accommodations. Here, access is the practice of solidarity toward liberation in the disabled community that aims to enact disability justice (Mingus, 2019), not simply the implementation of accommodations. When we describe accessible teaching and learning, we refer to collaborative practices where disabled and non-disabled individuals thrive together, driving resistance against ableism. In this workshop, a panel of disability scholar-practitioners and the audience will offer ideas for reimagining accessibility to foster access intimacy (Mingus, 2011) in teaching and learning contexts. The learning goals of this workshop are (1) to develop an understanding of disabled students’ experiences with inaccessible university environments, (2) to develop the ability to recognize areas for growth in teaching and learning pertaining to accessibility and accommodations beyond legal compliance, and (3) to understand strategies for reimagining teaching and learning practices in ways that take the onus off of disabled students and foster access.
Authored by:
Emily Abrams

Posted on: Spring Conference on Teaching & Learning

Rethinking Access: Fatigue, Hostility and Intimacy in Teaching and Learning
Title: Rethinking Access: Fatigue, Hostility and Intimacy in Teachi...
Authored by:
PEDAGOGICAL DESIGN
Tuesday, May 16, 2023
Posted on: #iteachmsu
PEDAGOGICAL DESIGN
Using Crip Theory to Foster Accessible Teaching and Learning Practices
Topic Area: DEI
Presented by: Emily Abrams
Abstract:
Dolmage (2017) argued that postsecondary education promotes ableism more than most cultural institutions. Noting that “disability has always been constructed as the inverse or opposite of higher education” (p. 3), Dolmage described how ‘academic ableism” erases disabled students and maintains practices that create and maintain the inferiority of disabled people. The purpose of this information session is to apply crip theory (Kafer, 2013; McRuer, 2006) through the use of personal narrative to expose the academic ableism that shaped postsecondary education’s responses to the Covid-19 pandemic and, more so, to offer accessible practices regarding teaching and learning for disabled college students moving forward. Crip theory presents disability as fluid and challenges dominant discourses that define normalcy. Specifically, crip theory challenges the discourse of compulsory able-bodiedness/mindedness that pushes people toward an unobtainable normalcy, determining who is disabled and therefore less worthy. I will use my own personal experiences as a disabled student and educator to ground my discussion of these topics. I will offer suggestions that go beyond accommodations to discuss access as the practice of solidarity toward liberation in the disabled community that aims to enact disability justice (Mingus, 2011)
Presented by: Emily Abrams
Abstract:
Dolmage (2017) argued that postsecondary education promotes ableism more than most cultural institutions. Noting that “disability has always been constructed as the inverse or opposite of higher education” (p. 3), Dolmage described how ‘academic ableism” erases disabled students and maintains practices that create and maintain the inferiority of disabled people. The purpose of this information session is to apply crip theory (Kafer, 2013; McRuer, 2006) through the use of personal narrative to expose the academic ableism that shaped postsecondary education’s responses to the Covid-19 pandemic and, more so, to offer accessible practices regarding teaching and learning for disabled college students moving forward. Crip theory presents disability as fluid and challenges dominant discourses that define normalcy. Specifically, crip theory challenges the discourse of compulsory able-bodiedness/mindedness that pushes people toward an unobtainable normalcy, determining who is disabled and therefore less worthy. I will use my own personal experiences as a disabled student and educator to ground my discussion of these topics. I will offer suggestions that go beyond accommodations to discuss access as the practice of solidarity toward liberation in the disabled community that aims to enact disability justice (Mingus, 2011)
Authored by:
Emily Abrams

Posted on: #iteachmsu

Using Crip Theory to Foster Accessible Teaching and Learning Practices
Topic Area: DEI
Presented by: Emily Abrams
Abstract:
Dolmage (...
Presented by: Emily Abrams
Abstract:
Dolmage (...
Authored by:
PEDAGOGICAL DESIGN
Monday, May 10, 2021
Posted on: #iteachmsu
ASSESSING LEARNING
Focusing on iteration and growth: Making the shift to ungrading
Topic Area: Student Success
Presented By: Candace Robertson, Brittany Dillman, Liz Boltz
Abstract:
How can we support student success by removing the barrier of grading? What impact would this have on feedback and iteration? Members from Team MAET (Master of Arts in Educational Technology) will share how they worked through these questions and others to move the majority of program courses to an ungrading philosophy as an act of social justice. In this session, you will learn from the triumphs, challenges, and solutions from their journey.Session resources:Google Slidedeck (website)
Presented By: Candace Robertson, Brittany Dillman, Liz Boltz
Abstract:
How can we support student success by removing the barrier of grading? What impact would this have on feedback and iteration? Members from Team MAET (Master of Arts in Educational Technology) will share how they worked through these questions and others to move the majority of program courses to an ungrading philosophy as an act of social justice. In this session, you will learn from the triumphs, challenges, and solutions from their journey.Session resources:Google Slidedeck (website)
Authored by:
Candace Robertson, Brittany Dillman, Liz Boltz

Posted on: #iteachmsu

Focusing on iteration and growth: Making the shift to ungrading
Topic Area: Student Success
Presented By: Candace Robertson,&n...
Presented By: Candace Robertson,&n...
Authored by:
ASSESSING LEARNING
Wednesday, Apr 28, 2021
Posted on: Spring Conference on Teaching & Learning
PEDAGOGICAL DESIGN
“That Doesn’t Work For Me!”: Tools for Students with ADHD
Title: “That Doesn’t Work For Me!”: Tools for Students with ADHDPresenters: McKayla Sluga (History/College of Social Science)Date: May 11th, 2023Time: 11:30 am - 12:30 pmFormat: Learning Technology DemonstrationClick here to viewDescription:Attention-Deficit Hyperactivity Disorder (ADHD) affects undergraduate and graduate students—diagnosed and undiagnosed. Often, instructors are unaware of symptoms’ variability or helpful strategies. Even though ADHD’ers frequently have high intelligence, they drop out of academia or leave employment at double the rate of neurotypicals. If they stay, students often experience exacerbated anxiety, depression, and other psychological distress. Why? One explanation is that executive functioning differences often make academic advice ADHD’ers receive ineffective or even damaging. This presentation features three practical strategies instructors can explore to make higher-education teaching and learning more ADHD-friendly.Scrivener organizes large projects in one place with the ability to form subdocuments. This makes it easier to structurally and visually break projects into smaller components. Read Aloud features in Microsoft Word and Google Docs may ease revision or renew stimulation for those struggling to focus or avoid boredom when re-reading familiar work. Bionic Reading is a visual tool that bolds the first letters of each word. It can help those who jump around reading, get distracted reading unchanging text, and want to speed up their reading pace. Tools can remove access barriers while diversifying strategies to complement ADHD symptoms can help students reduce shame or anxiety rather than disparage learning differences. As Devon Price, author of Unmasking Autism, writes, “Refusing to perform neurotypicality is a revolutionary act of disability justice. It’s also a radical act of self-love.” Environments embracing diverse learning approaches can elevate students’ sense of belonging and confidence.
Authored by:
McKayla Sluga

Posted on: Spring Conference on Teaching & Learning

“That Doesn’t Work For Me!”: Tools for Students with ADHD
Title: “That Doesn’t Work For Me!”: Tools for Students with ADHDPre...
Authored by:
PEDAGOGICAL DESIGN
Tuesday, May 16, 2023
Posted on: Center for Teaching and Learning Innovation
JUSTICE AND BELONGING
Overview: Accessible Design Checklist
Accesible Design Checklist: Overview
This post provides an overview checklist for some digital composition accessibility requirements. This is meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the first part of the Accessible Design Checklist series:
Overview
Text and Content
Multimedia
Overall Design Accessibility
When looking at the design, composers should consider the overall structure and content.
Design FormatFor digital distribution, web pages with HTML or CSS are the most accessible. Other accessible options (when following the design checklist) are Word or Google Docs. PDFs are only accessible if they have been remediated correctly. DisplayInformation is set to be perceivable in either landscape or portrait modes. The design should not require users to scroll in both up/down and left/right. The design can be zoomed in without losing meaning. The design should be able to be navigated and interacted with using a keyboard alone. HeadingsHeadings use tagged heading structures with hierarchies. The headings do not skip levels. Use the Level 1 Heading designation only once per design.LanguagesThe design’s language is set to the primary language of the document. Any words or phrases in additional languages are set for those words as a different language. NavigationThe design allows for more than one way to find relevant pages within a set of pages. The design also provides content overviews with links so that users may bypass content.OrderThe design provides an easily understandable order to the content. When using lists, use bullet points and order the information logically, such as alphabetically or by data size.TitleThe design has a specific title. This title is displayed in the document name or the tab of a website.
References and Resources for Accessible Design
Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview
Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Text and Content.Accessible Design Checklist: Overview © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Close checklist wooden surface" is marked with CC0 1.0.
This post provides an overview checklist for some digital composition accessibility requirements. This is meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the first part of the Accessible Design Checklist series:
Overview
Text and Content
Multimedia
Overall Design Accessibility
When looking at the design, composers should consider the overall structure and content.
Design FormatFor digital distribution, web pages with HTML or CSS are the most accessible. Other accessible options (when following the design checklist) are Word or Google Docs. PDFs are only accessible if they have been remediated correctly. DisplayInformation is set to be perceivable in either landscape or portrait modes. The design should not require users to scroll in both up/down and left/right. The design can be zoomed in without losing meaning. The design should be able to be navigated and interacted with using a keyboard alone. HeadingsHeadings use tagged heading structures with hierarchies. The headings do not skip levels. Use the Level 1 Heading designation only once per design.LanguagesThe design’s language is set to the primary language of the document. Any words or phrases in additional languages are set for those words as a different language. NavigationThe design allows for more than one way to find relevant pages within a set of pages. The design also provides content overviews with links so that users may bypass content.OrderThe design provides an easily understandable order to the content. When using lists, use bullet points and order the information logically, such as alphabetically or by data size.TitleThe design has a specific title. This title is displayed in the document name or the tab of a website.
References and Resources for Accessible Design
Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview
Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Text and Content.Accessible Design Checklist: Overview © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Close checklist wooden surface" is marked with CC0 1.0.
Authored by:
Bethany Meadows

Posted on: Center for Teaching and Learning Innovation

Overview: Accessible Design Checklist
Accesible Design Checklist: Overview
This post provides an overview...
This post provides an overview...
Authored by:
JUSTICE AND BELONGING
Monday, Jul 29, 2024
Posted on: Teaching Toolkit Tailgate
PEDAGOGICAL DESIGN
Tree Activity: Analyzing Systems of Oppression
Background
This is a group activity for students in an introductory course on race, gender, sexuality, disability, class stratification, and various intersecting identity categories. In this activity, students work in small groups to break down different aspects of systems of oppression related to the listed identity categories, like racism and/or heteropatriarchy. The activity pairs well with a number of readings, but here are some helpful suggestions: The New Jim Crow by Michelle Alexander, “Five Faces of Oppression” by Iris Marion Young, “Full-Frontal Morality: The Naked Truth About Gender” by Talia Mae Bettcher, and “Rape, Racism, and the Myth of the Black Rapist” by Angela Y. Davis. The following instructions are for a tree activity about The New Jim Crow. Note: the activity should be done after lecture and discussion on the book.
Implementation
Put students in groups of four or five
Alternate assigning groups ‘Jim Crow’ and ‘Prison Industrial Complex’
Ask each group to draw a tree with roots, a thick trunk, branches, and many leaves
Ask each group to use references from the text to identify different ‘roots’, ‘tree trunks’, ‘branches’, and ‘leaves’ of Jim Crow or the Prison Industrial Complex.
Provide examples of each part of the tree to get them started, e.g. a leaf of Jim Crow may be poll taxes, while a root may be racism and white economic anxiety.
Allow 30-35min. Walk around and check in with groups about their trees asking why one thing is a leaf instead of a branch, weaving in relevant points from the previous discussion of the text, etc.
Reassure students that each tree will likely be different and that is wonderful.
Ask groups to present their trees and the rationale for each piece.
Tape the trees to a central wall/board separating ‘Jim Crow’ trees and ‘Prison Industrial Complex’ tress.
Ask students if they see similarities and/or differences between the two types of trees.
Prompt discussion about the relationship between the two types of trees according to Alexander.
Congratulate and thank students for their hard work.
Ask students to reflect on what systems may look like if at their root were good things like ‘justice,’ ‘healing,’ ‘equity,’ etc.
This is a group activity for students in an introductory course on race, gender, sexuality, disability, class stratification, and various intersecting identity categories. In this activity, students work in small groups to break down different aspects of systems of oppression related to the listed identity categories, like racism and/or heteropatriarchy. The activity pairs well with a number of readings, but here are some helpful suggestions: The New Jim Crow by Michelle Alexander, “Five Faces of Oppression” by Iris Marion Young, “Full-Frontal Morality: The Naked Truth About Gender” by Talia Mae Bettcher, and “Rape, Racism, and the Myth of the Black Rapist” by Angela Y. Davis. The following instructions are for a tree activity about The New Jim Crow. Note: the activity should be done after lecture and discussion on the book.
Implementation
Put students in groups of four or five
Alternate assigning groups ‘Jim Crow’ and ‘Prison Industrial Complex’
Ask each group to draw a tree with roots, a thick trunk, branches, and many leaves
Ask each group to use references from the text to identify different ‘roots’, ‘tree trunks’, ‘branches’, and ‘leaves’ of Jim Crow or the Prison Industrial Complex.
Provide examples of each part of the tree to get them started, e.g. a leaf of Jim Crow may be poll taxes, while a root may be racism and white economic anxiety.
Allow 30-35min. Walk around and check in with groups about their trees asking why one thing is a leaf instead of a branch, weaving in relevant points from the previous discussion of the text, etc.
Reassure students that each tree will likely be different and that is wonderful.
Ask groups to present their trees and the rationale for each piece.
Tape the trees to a central wall/board separating ‘Jim Crow’ trees and ‘Prison Industrial Complex’ tress.
Ask students if they see similarities and/or differences between the two types of trees.
Prompt discussion about the relationship between the two types of trees according to Alexander.
Congratulate and thank students for their hard work.
Ask students to reflect on what systems may look like if at their root were good things like ‘justice,’ ‘healing,’ ‘equity,’ etc.
Authored by:
Ayanna D’Vante Spencer

Posted on: Teaching Toolkit Tailgate

Tree Activity: Analyzing Systems of Oppression
Background
This is a group activity for students in an introductory...
This is a group activity for students in an introductory...
Authored by:
PEDAGOGICAL DESIGN
Thursday, Jul 30, 2020
Posted on: #iteachmsu
NAVIGATING CONTEXT
Making Something Out of Nothing: Experiential Learning, Digital Publishing, and Budget Cuts
The Cube (publishing - process - praxis) is a publishing nexus housed in Michigan State University's Department of Writing, Rhetoric, and American Cultures (WRAC). The Cube supports, promotes, and produces open-access works created by diverse members of the mid-Michigan and Michigan State communities. Our publishing focuses on messages of social justice, accessibility, diversity, and inclusion. We provide a space for diverse voices to publish and advocate for their work and engage with audiences they would otherwise have difficulty reaching. This Poster, featuring The Cube's director, its graduate assistant, and its lead undergraduate web developer, will provide an overview of the work the Cube does, from brainstorming to final product, and show how we faced adversity and thought creatively in the wake of massive budget cuts to the humanities.
To access a PDF of the "We Are The Cube" poster, click here.
Description of the Poster
This poster is made using something similar to a mind map, with bubbles named “high-impact experiential learning,” “people,” “mentorship and community,” “projects,” “process,” and “skills.” Surrounding those bubbles are smaller bubbles with descriptions (described below).
We are The Cube.
Publishing - Process - Praxis
We are a publishing nexus that supports, promotes, and produces open-access work created by diverse members of the mid-Michigan community, focusing on messages of social justice, accessibility, diversity, and inclusion through high-impact experiential learning. We provide a space for diverse ranges of persons, places, and communities to publish and advocate for their work and to engage with audiences they would otherwise be unable to reach.
High-Impact Experiential Learning Circle:
Mentorship is key. Project proposals come to The Cube via our website; from there, we review projects and hire paid undergraduate and graduate interns to complete the work. At any given time, The Cube has between twelve and twenty interns, and our entire budget is dedicated to labor.
Throughout our processes, students are mentored by faculty members, encouraged to take risks and make mistakes, praised for their good work, and given credit for that work. For a full list of our mentors and interns, see our website: https://thecubemsu.com/.
Experiential learning programs allow students to take risks, make mistakes, and learn from those mistakes in a safe and supportive environment.
There are two goals. One is to learn the specifics of a particular subject, and the other is to learn about one’s own learning process.
Experiential learning works in four stages:
concrete learning,
reflective observation,
abstract conceptualization, and
active experimentation.
All of these are key for developing both hard and soft skills, which students will need to be ethical pioneers in their fields and in their communities.
Representative People Circle:
Catherine Davis, User Experience and Design Intern
Shelby Smith, Writing and Editing Intern
Grace Houdek, Graphic Design Intern
Jaclyn Krizanic, Social Media Intern
Jeanetta Mohlke-Hill, Editorial Assistant
Emily Lin, Lead UX Designer
Mitch Carr, Graduate Assistant and Project Coordinator
Kara Headly, Former Social Media Intern
Community & Mentorship Circle:
Dr. Kate Birdsall, Director
Dr. Alexandra Hidalgo, Editor-in-Chief
Dr. Marohang Lumbu, Editor-in-Chief
The Writing Center at MSU
Writing, Rhetoric, and American Cultures (WRAC) at MSU
Projects Circle:
The Current, digital and print magazine
JOGLTEP, academic journal
Constellations, academic journal
Agnes Films, feminist film collective
The Red Cedar review, literary journal
REO Town Reading Series Anthology, digital book
Superheroes Die in the Summer, digital book
Process Circle:
Brainstorming
Collaboration
Client Relations
Consistent Voice and Branding
UX Design and Engineering
Skills Circle:
Confidence
Editing and Writing Style Guides
Professional Development
Risk Analysis
Develop Professional Portfolio
Human Centered Design
Developmental and Copy Editing
Poster by: Dr. Kate Birdsall, Mitch Carr, and Emily Lin (Writing, Rhetoric, and American Cultures (WRAC) Department))
To access a PDF of the "We Are The Cube" poster, click here.
Description of the Poster
This poster is made using something similar to a mind map, with bubbles named “high-impact experiential learning,” “people,” “mentorship and community,” “projects,” “process,” and “skills.” Surrounding those bubbles are smaller bubbles with descriptions (described below).
We are The Cube.
Publishing - Process - Praxis
We are a publishing nexus that supports, promotes, and produces open-access work created by diverse members of the mid-Michigan community, focusing on messages of social justice, accessibility, diversity, and inclusion through high-impact experiential learning. We provide a space for diverse ranges of persons, places, and communities to publish and advocate for their work and to engage with audiences they would otherwise be unable to reach.
High-Impact Experiential Learning Circle:
Mentorship is key. Project proposals come to The Cube via our website; from there, we review projects and hire paid undergraduate and graduate interns to complete the work. At any given time, The Cube has between twelve and twenty interns, and our entire budget is dedicated to labor.
Throughout our processes, students are mentored by faculty members, encouraged to take risks and make mistakes, praised for their good work, and given credit for that work. For a full list of our mentors and interns, see our website: https://thecubemsu.com/.
Experiential learning programs allow students to take risks, make mistakes, and learn from those mistakes in a safe and supportive environment.
There are two goals. One is to learn the specifics of a particular subject, and the other is to learn about one’s own learning process.
Experiential learning works in four stages:
concrete learning,
reflective observation,
abstract conceptualization, and
active experimentation.
All of these are key for developing both hard and soft skills, which students will need to be ethical pioneers in their fields and in their communities.
Representative People Circle:
Catherine Davis, User Experience and Design Intern
Shelby Smith, Writing and Editing Intern
Grace Houdek, Graphic Design Intern
Jaclyn Krizanic, Social Media Intern
Jeanetta Mohlke-Hill, Editorial Assistant
Emily Lin, Lead UX Designer
Mitch Carr, Graduate Assistant and Project Coordinator
Kara Headly, Former Social Media Intern
Community & Mentorship Circle:
Dr. Kate Birdsall, Director
Dr. Alexandra Hidalgo, Editor-in-Chief
Dr. Marohang Lumbu, Editor-in-Chief
The Writing Center at MSU
Writing, Rhetoric, and American Cultures (WRAC) at MSU
Projects Circle:
The Current, digital and print magazine
JOGLTEP, academic journal
Constellations, academic journal
Agnes Films, feminist film collective
The Red Cedar review, literary journal
REO Town Reading Series Anthology, digital book
Superheroes Die in the Summer, digital book
Process Circle:
Brainstorming
Collaboration
Client Relations
Consistent Voice and Branding
UX Design and Engineering
Skills Circle:
Confidence
Editing and Writing Style Guides
Professional Development
Risk Analysis
Develop Professional Portfolio
Human Centered Design
Developmental and Copy Editing
Poster by: Dr. Kate Birdsall, Mitch Carr, and Emily Lin (Writing, Rhetoric, and American Cultures (WRAC) Department))
Authored by:
Kate Birdsall, Mitch Carr, Emily Lin

Posted on: #iteachmsu

Making Something Out of Nothing: Experiential Learning, Digital Publishing, and Budget Cuts
The Cube (publishing - process - praxis) is a publishing nexus hous...
Authored by:
NAVIGATING CONTEXT
Monday, Apr 26, 2021
Posted on: Educator Stories
PEDAGOGICAL DESIGN
Stephen Thomas // [Educator Story]
This week, we are featuring Dr. Stephen Thomas who wears many hats here at MSU. He is the Digital Curriculum Coordinator in the College of Natural Science, the Assistant Dean for STEM Education, Teaching and Learning, and he is also the Associate Director for the Center for Integrative Studies in General Science. Stephen was recognized via iteach.msu.edu's Thank and Educator Initiative! We encourage MSU community members to nominate high-impact Spartan educators (via our Thank an Educator initiative) regularly!
I’m Dave Goodrich and I help design engaging learning experiences with educators like Stephen here at MSU. I’ve had the privilege of getting to work and learn from Stephen over the years and was glad to get to be able to interview him for this series. This is a longer conversation than typical educator stories, but we could have talked even longer, I’m sure. In fact, from this conversation, I’d love to have follow-up conversations with Stephen on some of the things that came up here, but for now, read more about Stephen's perspectives and experiences below:
--
Dave
I thought we could begin our conversation by having you give a glimpse into how you became an educator and your path to becoming an educator. We also usually start this with a challenging question: In one word, what does being an educator mean to you?
Stephen
I would say I am really focused on connection. So usually I'm dealing with populations who are studying things that are unfamiliar to them. So usually I'm teaching non-majors or done some work and informal science education, and, you know, some work with majors. But I feel like in general, I'm usually talking to a naive or inexperienced population, and I'm trying to help them to see themselves in the content that they're studying. And then I think over time, I've realized that there's a large piece of having a connection with the individual in order to help them then make a connection with the content. And so you know, and sometimes it's even like, how are you connecting them to each other, in order to help support them, like peers and their fellow students? I think there's a lot of that element in how I go about probably in the educational endeavor. So it's a lot of like, how do we engage people and get them to see themselves in the content that they're working with?
Dave
Yeah, absolutely. So I love talking to educators, like you, who inspire me. It's educators like you who helped me decide to go into education, because of how they kind of poured themselves into it and really cared for their students like how you're describing. I'm curious, I don't know if I've ever, ever asked you before, was there a moment in your life where you were like, yes, this is what I want to do. How did you enter the world of education?
Stephen
So I come from a long line of educators and lawyers. I was never going to choose law. I find it fascinating, but it just wasn't for me. And it just seemed like a very natural fit. So I think what's interesting, though, is that the piece that I've really resonated with is not necessarily the teacher part, it's actually the curriculum part. To go to the law piece, you have trial lawyers, and then you have the lawyers who are like, in the background, like, you know, getting everything together. I really like the background piece. I like thinking about what you are trying to do and how does it play out? And what kind of challenges might you face? And what kind of background materials can you prepare someone with? And so I think over time, I've realized, it's not the actual performance piece that I enjoy, although sometimes that can be really nice. I actually just really enjoy the preparation and the thought exercise that's involved in it. Sometimes the production of curriculum, like I sometimes dip my toe into, like the artistic side of the world. I feel like curriculum development is like artwork where you produce something and it's like, here's the tangible evidence of my labor, as opposed to the kind of experiential part that goes on in the classroom.
Dave
Oh, man, you're speaking my language now. That's interesting to hear, because, I mean, I see you as being one of the most interesting educators in that regard. You really seem to be excellent at the delivery, the performance, and the curriculum design also. If your experience is like mine, it can be a challenge to work both those hats at the same time.
Stephen
Honestly, I find the performance piece difficult. So for me, it took a long time to resolve being like a gay man in front of a class. That identity piece was really hard, and I didn't want it involved at all in my teaching. There was a lot of mental effort about how I just portray myself as an individual that people would connect with, but also that they wouldn't necessarily have difficulty with me being gay. So, I feel like there was a lot of performance in that it made it an extra cognitive piece of how am I portraying myself. Simultaneously, I'm trying to make sure that they're learning, you know, the intermediate disturbance hypothesis, and it's just like, there's a lot going on in those two things that made it just not as pleasurable as some people find it. After like a decade of that tension is part of why I didn't necessarily go towards the performance piece of teaching as much.
Dave
That's fascinating. I'd love to talk to you more about that. That's interesting, like how identity I mean, shapes, obviously, who we are as an educator, but how different identities intersect with the role of an educator.
Stephen
Right, like, women and minorities. I feel like with mine, it could be like a hidden component, but we hear lots of studies looking at women and minorities in front of a classroom and the extra difficulties they face. I feel like that's just this unfortunate overlap with the fact that they have to deal with his added difficulties. At the same time, they're trying to manage student learning. We also talk about the benefit of having diverse audiences in front of students. I think those are, you know, some things that are kind of woven into the situation of having diverse faculty teaching or instructors teaching.
Dave
Yeah, you mentioned “connection” as this key keyword for you in your teaching. Could you share what connection looks like for you in your practice?
Stephen
So one of the things in teaching science to non-scientists, I feel like one of the things I tackled earlier on was this idea of subject anxiety. And so I was getting a lot of feedback from students about when they were coming into the class that they were scared. They wouldn't say scared, they would say that they were anxious. Like, ‘science isn't my forte or that ‘I've never really done well in science courses.’ And so I feel like there's a potential barrier between the instructor and the students because they're anxious about how they're going to perform and whether or not they're capable of succeeding. That has been shown to impact their ability to succeed. I've always been asking how to reduce that kind of subject anxiety. I’ve looked at things like how do you incorporate comics as a way of softening the subject matter so that people are more engaged by it? I did a whole video series of me in weird places where it was all green screen. The idea is if your instructor is willing to do that, then surely it's not difficult to ask them questions, right? There's no barrier to them in that, ‘Oh, he's a scientist, and I'm going to look stupid in front of him.’ Instead, he's looking stupid in front of me. So like, I don't have to worry about it being something that I can't do. Right. So I've always tried to figure out, like, how do you make connections with people. It facilitates the ability to ask for help. And to take risks in trying to convey what you understand, right?
Because I feel that part of participating in the conversation is how you help grow as an intellectual, I would say, maybe that's one of my tendencies. Personally, when I'm learning something, I like to talk about it, get corrected, and then have a discussion and dialogue. And if you're afraid of showing your ignorance, then it's really difficult because it still remains hidden, right? And so to me, it is about how do you create an environment where they do feel connected, where they can feel connected with each other? When you confront that misconception, that's really where some significant learning can occur.
Dave
Yeah, absolutely. It almost sounds like you're talking a bit about modeling vulnerability as a posture toward learning itself.
Stephen
Right. I would say that I definitely did not have that terminology or that thought process at the time. But I feel like some of the conversations that have gone on with authors like Brene Brown, and, you know, thinking about allowing yourself to be vulnerable and connect to students has helped me to think about it maybe in similar terms.
Dave
Yeah. Vulnerability is probably not generally a scientist’s favorite word?
Stephen
Well, we have thought about having some workshops on that. But I think we sometimes talk about it with regards to how you have difficult conversations in the classroom, right? But it really does boil down to some of that being about vulnerability. That's also around kind of the intellectual components of being able to be wrong, and how you grow from that. So there are concepts of failing forward or failing fast or growth mindsets, right? And how do you help people to realize that it's not a condition of being either good in math or not good in math or good in science or not good at science? It's how do you grow what you have to be better?
Dave
Yeah, oh, that would be an interesting conversation to have around the scientific process itself. Some might argue this is based around an intellectual humility, of understanding that we don't understand and know that we don't know and constantly trying to engage the unknowing with things that we do know, to try, to build on that with solid evidence.
Stephen
There's an article that is basically on stupidity in science. It's a one-page description of regrets of a professional who was talking about his experience in grad school and realized that the ability to handle your own ignorance allows you to be successful in science. So it was talking about why some people make it and some people don't. And this was one of the aspects of the ability to be okay with realizing that you don't know the answer. Being willing to push that boundary is what allows you to be successful. So it's just, I think, an interesting take for students to realize that successful scientists recognize that they don't know and be okay with it.
Dave
How have your ideas about these things changed over time?
Stephen
Well, like what the identity piece, I feel like, there's definitely a component of feeling like it was just information, but they didn't really need to know me and to know aspects about who I am. And I feel like that's, you know, more especially in an online environment. I feel like there was a time when I wondered how you most interestingly convey this content, and you can totally do it divorced from identity and the connection piece is the part that helps to bridge those who are not already passionate about the topic. That's what's going to get them to connect with it. And so just figuring out how we humanize the digital experience is, that's been one progression, I would say.
One of the other ones I would say is my thinking about educator development because a lot of my work is working with faculty about how to improve their practice. I feel like that progression has been one of being rooted in a kind of best practice, or being very prescriptive, to actually having conversations with faculty about what it is that they value, and then figuring out how that ties into the primary literature or into and to various literature's, in general. There are times when you want to know just like, what are some of the things that people have learned that are best that have been shown in the literature with regards to having discussions in class. But it's really different. When thinking about life as an individual, I'm interested in having discussions with students, and identifying that as actually a pedagogical approach that you want to expand because that's what you're actually rooted in. That's what you're going to put the time in. That's what's going to define your actual classroom experience. So instead of someone coming in and being like, actually, you need to use whiteboards more. Yes, whiteboards can be effective, but you actually have to figure out what your identity is as an instructor, and then go from there. I just feel like that's so much more powerful.
Dave
That's really quite profound because they do seem to have eager tentativeness to “best practices.” It reminds me of one of my favorite authors, Parker Palmer, he has a book called “The Courage to Teach.” And he talks a lot about how a lot of and how we as educators, essentially, teach from who we are, as you're talking about that very thing, starting with the heart of the individual educator first and what their goals are and then building technological support.
Stephen
I totally remember having conversations with other educators, then pushing back on the best practices. And, like, I feel like this comes from a place of being in the sciences for, you know, so long of like, what, like, you measure things and we find out what is more effective. That's how we improve. And just disregarding this aspect of what would nurture a faculty member. I mean, like when we think about, like, how much time faculty spend on improving their teaching like they're balancing out research and service and all of these other components. And so like, in order for them to really grow, it has to be the thing that you're super passionate about. This is how I actually connect with people. And so I feel like the discussions or arguments we had about best practices and whether or not that's a valuable framework to go from is actually just moving in a different direction from this conversation of like, why would you just not focus on the thing that people are passionate about? Right? So it's not that it's incorrect, it's just not really looking at it from the same perspective. And so, it is, you know, sometimes a little painful to be like, oh, yeah, I think I said something like that. You know, like, a few years ago, and yeah, so it has been interesting.
Dave
Yeah, absolutely. And I certainly then, early on, in my work in instructional design, I was a strong proponent of best practices. I’m critical of that, lately, myself also. So, could you tell us a little bit more about your settings? I think when you were at first MSU, you were primarily teaching and an instructor and now you do a lot of educator development. I guess we could say, and you also do a lot of design and curricular work, and also some teaching, I believe, or
Stephen
…up until this last summer,
Dave
okay. Okay, gotcha. Okay. So could you tell us a little bit about your, your setting in which you're in, and then these different hats that you're wearing now?
Stephen
Part of my role is in the Center for Integrative Studies in general science. So that's the Gen Ed Science course for non-scientists. And a lot of my work in the last few years has been focused on curriculum reform. And I have to say, that's probably some of the most rewarding work that I've done. Because it's, I just love it. The idea of so thinking about, if you have a three-class sequence, like how do students progress between those classes? And then like, how do you resolve to have different faculty and their identity and their topic? And so it's just been, I feel fascinating about like, how do you first off physically map the curriculum? How do you get faculty buy-in for various curricular reforms? How do you build a community around curriculum, like, I'm interested in those, those ideas, and so that work has been really, really rewarding? And then I'd say in college, that setting is looking at how technology is a filter or a lever for impacting student learning. And so I get a lot of help from faculty to think about technology tools that they could use in order to facilitate things like discussions online. But a lot of that work has also been focused on accessibility.
I feel like that has been an incredible lens that also had a lot of unique challenges about how you get people to buy into doing extra labor for, for accessibility, for widening their impact on their curriculum. And so like, we had gone through many different lenses of like, oh, well, accessibility is about compliance, and then looking at how that impacted faculty buy-in. And, you know, how it was limiting their participation, because as a concept, it's not very engaging, and then, you know, shifting over to more of a social justice piece, or going even into an equity viability piece, I feel has really allowed people to, to think about that, and see how that is actually aligned with their beliefs, and how that type of work is important.
I feel like there's, you know so that accessibility work was like, how do we make sure that all the digital pieces that we're making are accessible to, so there ADA, so Americans with Disabilities Act, so it responds to that? But also, you know, what we've found is that those accommodations helped all students. And so, you know, it kind of broadened to this idea of going from an idea of compliance to really how do we impact a larger number of students. So that's kind of that work. And then my new role, as the assistant dean, it's focused on STEM teaching and learning. It's really focused on the STEM building, and then figuring out how a single location can bring faculty and disciplines from across the STEM disciplines and even outside of STEM, to talk with each other and to learn from each other, and to better use the physical spaces in their pedagogical approach.
So, you know, when you have small groups of people, how do you foster discussion in that and then build ways of reporting out to a larger community is the, you know, is what we're working on. And so the STEM building has lots of innovative approaches to their classroom design. And so figuring out how do we train faculty to do that is, you know, is, again, you can see a hopefully the parallel between what's going on in the center for, you know, building a community around curriculum, and then in the college about how do we as a community, figure out what are the standards for the curriculum that we're creating? And then the STEM building is how do we have conversations in typically siloed communities that can help us to improve our practice. So there's a lot about communication. And probably a parallel, you know, connection. Right?
How do we have connections between faculty members from diverse groups?
How do we connect it to the technologies that we use?
And how do we make better impacts with the students that we're serving?
--
Don't forget to celebrate individuals you see making a difference in teaching, learning, or student success at MSU with #iteachmsu's Thank an Educator initiative.
I’m Dave Goodrich and I help design engaging learning experiences with educators like Stephen here at MSU. I’ve had the privilege of getting to work and learn from Stephen over the years and was glad to get to be able to interview him for this series. This is a longer conversation than typical educator stories, but we could have talked even longer, I’m sure. In fact, from this conversation, I’d love to have follow-up conversations with Stephen on some of the things that came up here, but for now, read more about Stephen's perspectives and experiences below:
--
Dave
I thought we could begin our conversation by having you give a glimpse into how you became an educator and your path to becoming an educator. We also usually start this with a challenging question: In one word, what does being an educator mean to you?
Stephen
I would say I am really focused on connection. So usually I'm dealing with populations who are studying things that are unfamiliar to them. So usually I'm teaching non-majors or done some work and informal science education, and, you know, some work with majors. But I feel like in general, I'm usually talking to a naive or inexperienced population, and I'm trying to help them to see themselves in the content that they're studying. And then I think over time, I've realized that there's a large piece of having a connection with the individual in order to help them then make a connection with the content. And so you know, and sometimes it's even like, how are you connecting them to each other, in order to help support them, like peers and their fellow students? I think there's a lot of that element in how I go about probably in the educational endeavor. So it's a lot of like, how do we engage people and get them to see themselves in the content that they're working with?
Dave
Yeah, absolutely. So I love talking to educators, like you, who inspire me. It's educators like you who helped me decide to go into education, because of how they kind of poured themselves into it and really cared for their students like how you're describing. I'm curious, I don't know if I've ever, ever asked you before, was there a moment in your life where you were like, yes, this is what I want to do. How did you enter the world of education?
Stephen
So I come from a long line of educators and lawyers. I was never going to choose law. I find it fascinating, but it just wasn't for me. And it just seemed like a very natural fit. So I think what's interesting, though, is that the piece that I've really resonated with is not necessarily the teacher part, it's actually the curriculum part. To go to the law piece, you have trial lawyers, and then you have the lawyers who are like, in the background, like, you know, getting everything together. I really like the background piece. I like thinking about what you are trying to do and how does it play out? And what kind of challenges might you face? And what kind of background materials can you prepare someone with? And so I think over time, I've realized, it's not the actual performance piece that I enjoy, although sometimes that can be really nice. I actually just really enjoy the preparation and the thought exercise that's involved in it. Sometimes the production of curriculum, like I sometimes dip my toe into, like the artistic side of the world. I feel like curriculum development is like artwork where you produce something and it's like, here's the tangible evidence of my labor, as opposed to the kind of experiential part that goes on in the classroom.
Dave
Oh, man, you're speaking my language now. That's interesting to hear, because, I mean, I see you as being one of the most interesting educators in that regard. You really seem to be excellent at the delivery, the performance, and the curriculum design also. If your experience is like mine, it can be a challenge to work both those hats at the same time.
Stephen
Honestly, I find the performance piece difficult. So for me, it took a long time to resolve being like a gay man in front of a class. That identity piece was really hard, and I didn't want it involved at all in my teaching. There was a lot of mental effort about how I just portray myself as an individual that people would connect with, but also that they wouldn't necessarily have difficulty with me being gay. So, I feel like there was a lot of performance in that it made it an extra cognitive piece of how am I portraying myself. Simultaneously, I'm trying to make sure that they're learning, you know, the intermediate disturbance hypothesis, and it's just like, there's a lot going on in those two things that made it just not as pleasurable as some people find it. After like a decade of that tension is part of why I didn't necessarily go towards the performance piece of teaching as much.
Dave
That's fascinating. I'd love to talk to you more about that. That's interesting, like how identity I mean, shapes, obviously, who we are as an educator, but how different identities intersect with the role of an educator.
Stephen
Right, like, women and minorities. I feel like with mine, it could be like a hidden component, but we hear lots of studies looking at women and minorities in front of a classroom and the extra difficulties they face. I feel like that's just this unfortunate overlap with the fact that they have to deal with his added difficulties. At the same time, they're trying to manage student learning. We also talk about the benefit of having diverse audiences in front of students. I think those are, you know, some things that are kind of woven into the situation of having diverse faculty teaching or instructors teaching.
Dave
Yeah, you mentioned “connection” as this key keyword for you in your teaching. Could you share what connection looks like for you in your practice?
Stephen
So one of the things in teaching science to non-scientists, I feel like one of the things I tackled earlier on was this idea of subject anxiety. And so I was getting a lot of feedback from students about when they were coming into the class that they were scared. They wouldn't say scared, they would say that they were anxious. Like, ‘science isn't my forte or that ‘I've never really done well in science courses.’ And so I feel like there's a potential barrier between the instructor and the students because they're anxious about how they're going to perform and whether or not they're capable of succeeding. That has been shown to impact their ability to succeed. I've always been asking how to reduce that kind of subject anxiety. I’ve looked at things like how do you incorporate comics as a way of softening the subject matter so that people are more engaged by it? I did a whole video series of me in weird places where it was all green screen. The idea is if your instructor is willing to do that, then surely it's not difficult to ask them questions, right? There's no barrier to them in that, ‘Oh, he's a scientist, and I'm going to look stupid in front of him.’ Instead, he's looking stupid in front of me. So like, I don't have to worry about it being something that I can't do. Right. So I've always tried to figure out, like, how do you make connections with people. It facilitates the ability to ask for help. And to take risks in trying to convey what you understand, right?
Because I feel that part of participating in the conversation is how you help grow as an intellectual, I would say, maybe that's one of my tendencies. Personally, when I'm learning something, I like to talk about it, get corrected, and then have a discussion and dialogue. And if you're afraid of showing your ignorance, then it's really difficult because it still remains hidden, right? And so to me, it is about how do you create an environment where they do feel connected, where they can feel connected with each other? When you confront that misconception, that's really where some significant learning can occur.
Dave
Yeah, absolutely. It almost sounds like you're talking a bit about modeling vulnerability as a posture toward learning itself.
Stephen
Right. I would say that I definitely did not have that terminology or that thought process at the time. But I feel like some of the conversations that have gone on with authors like Brene Brown, and, you know, thinking about allowing yourself to be vulnerable and connect to students has helped me to think about it maybe in similar terms.
Dave
Yeah. Vulnerability is probably not generally a scientist’s favorite word?
Stephen
Well, we have thought about having some workshops on that. But I think we sometimes talk about it with regards to how you have difficult conversations in the classroom, right? But it really does boil down to some of that being about vulnerability. That's also around kind of the intellectual components of being able to be wrong, and how you grow from that. So there are concepts of failing forward or failing fast or growth mindsets, right? And how do you help people to realize that it's not a condition of being either good in math or not good in math or good in science or not good at science? It's how do you grow what you have to be better?
Dave
Yeah, oh, that would be an interesting conversation to have around the scientific process itself. Some might argue this is based around an intellectual humility, of understanding that we don't understand and know that we don't know and constantly trying to engage the unknowing with things that we do know, to try, to build on that with solid evidence.
Stephen
There's an article that is basically on stupidity in science. It's a one-page description of regrets of a professional who was talking about his experience in grad school and realized that the ability to handle your own ignorance allows you to be successful in science. So it was talking about why some people make it and some people don't. And this was one of the aspects of the ability to be okay with realizing that you don't know the answer. Being willing to push that boundary is what allows you to be successful. So it's just, I think, an interesting take for students to realize that successful scientists recognize that they don't know and be okay with it.
Dave
How have your ideas about these things changed over time?
Stephen
Well, like what the identity piece, I feel like, there's definitely a component of feeling like it was just information, but they didn't really need to know me and to know aspects about who I am. And I feel like that's, you know, more especially in an online environment. I feel like there was a time when I wondered how you most interestingly convey this content, and you can totally do it divorced from identity and the connection piece is the part that helps to bridge those who are not already passionate about the topic. That's what's going to get them to connect with it. And so just figuring out how we humanize the digital experience is, that's been one progression, I would say.
One of the other ones I would say is my thinking about educator development because a lot of my work is working with faculty about how to improve their practice. I feel like that progression has been one of being rooted in a kind of best practice, or being very prescriptive, to actually having conversations with faculty about what it is that they value, and then figuring out how that ties into the primary literature or into and to various literature's, in general. There are times when you want to know just like, what are some of the things that people have learned that are best that have been shown in the literature with regards to having discussions in class. But it's really different. When thinking about life as an individual, I'm interested in having discussions with students, and identifying that as actually a pedagogical approach that you want to expand because that's what you're actually rooted in. That's what you're going to put the time in. That's what's going to define your actual classroom experience. So instead of someone coming in and being like, actually, you need to use whiteboards more. Yes, whiteboards can be effective, but you actually have to figure out what your identity is as an instructor, and then go from there. I just feel like that's so much more powerful.
Dave
That's really quite profound because they do seem to have eager tentativeness to “best practices.” It reminds me of one of my favorite authors, Parker Palmer, he has a book called “The Courage to Teach.” And he talks a lot about how a lot of and how we as educators, essentially, teach from who we are, as you're talking about that very thing, starting with the heart of the individual educator first and what their goals are and then building technological support.
Stephen
I totally remember having conversations with other educators, then pushing back on the best practices. And, like, I feel like this comes from a place of being in the sciences for, you know, so long of like, what, like, you measure things and we find out what is more effective. That's how we improve. And just disregarding this aspect of what would nurture a faculty member. I mean, like when we think about, like, how much time faculty spend on improving their teaching like they're balancing out research and service and all of these other components. And so like, in order for them to really grow, it has to be the thing that you're super passionate about. This is how I actually connect with people. And so I feel like the discussions or arguments we had about best practices and whether or not that's a valuable framework to go from is actually just moving in a different direction from this conversation of like, why would you just not focus on the thing that people are passionate about? Right? So it's not that it's incorrect, it's just not really looking at it from the same perspective. And so, it is, you know, sometimes a little painful to be like, oh, yeah, I think I said something like that. You know, like, a few years ago, and yeah, so it has been interesting.
Dave
Yeah, absolutely. And I certainly then, early on, in my work in instructional design, I was a strong proponent of best practices. I’m critical of that, lately, myself also. So, could you tell us a little bit more about your settings? I think when you were at first MSU, you were primarily teaching and an instructor and now you do a lot of educator development. I guess we could say, and you also do a lot of design and curricular work, and also some teaching, I believe, or
Stephen
…up until this last summer,
Dave
okay. Okay, gotcha. Okay. So could you tell us a little bit about your, your setting in which you're in, and then these different hats that you're wearing now?
Stephen
Part of my role is in the Center for Integrative Studies in general science. So that's the Gen Ed Science course for non-scientists. And a lot of my work in the last few years has been focused on curriculum reform. And I have to say, that's probably some of the most rewarding work that I've done. Because it's, I just love it. The idea of so thinking about, if you have a three-class sequence, like how do students progress between those classes? And then like, how do you resolve to have different faculty and their identity and their topic? And so it's just been, I feel fascinating about like, how do you first off physically map the curriculum? How do you get faculty buy-in for various curricular reforms? How do you build a community around curriculum, like, I'm interested in those, those ideas, and so that work has been really, really rewarding? And then I'd say in college, that setting is looking at how technology is a filter or a lever for impacting student learning. And so I get a lot of help from faculty to think about technology tools that they could use in order to facilitate things like discussions online. But a lot of that work has also been focused on accessibility.
I feel like that has been an incredible lens that also had a lot of unique challenges about how you get people to buy into doing extra labor for, for accessibility, for widening their impact on their curriculum. And so like, we had gone through many different lenses of like, oh, well, accessibility is about compliance, and then looking at how that impacted faculty buy-in. And, you know, how it was limiting their participation, because as a concept, it's not very engaging, and then, you know, shifting over to more of a social justice piece, or going even into an equity viability piece, I feel has really allowed people to, to think about that, and see how that is actually aligned with their beliefs, and how that type of work is important.
I feel like there's, you know so that accessibility work was like, how do we make sure that all the digital pieces that we're making are accessible to, so there ADA, so Americans with Disabilities Act, so it responds to that? But also, you know, what we've found is that those accommodations helped all students. And so, you know, it kind of broadened to this idea of going from an idea of compliance to really how do we impact a larger number of students. So that's kind of that work. And then my new role, as the assistant dean, it's focused on STEM teaching and learning. It's really focused on the STEM building, and then figuring out how a single location can bring faculty and disciplines from across the STEM disciplines and even outside of STEM, to talk with each other and to learn from each other, and to better use the physical spaces in their pedagogical approach.
So, you know, when you have small groups of people, how do you foster discussion in that and then build ways of reporting out to a larger community is the, you know, is what we're working on. And so the STEM building has lots of innovative approaches to their classroom design. And so figuring out how do we train faculty to do that is, you know, is, again, you can see a hopefully the parallel between what's going on in the center for, you know, building a community around curriculum, and then in the college about how do we as a community, figure out what are the standards for the curriculum that we're creating? And then the STEM building is how do we have conversations in typically siloed communities that can help us to improve our practice. So there's a lot about communication. And probably a parallel, you know, connection. Right?
How do we have connections between faculty members from diverse groups?
How do we connect it to the technologies that we use?
And how do we make better impacts with the students that we're serving?
--
Don't forget to celebrate individuals you see making a difference in teaching, learning, or student success at MSU with #iteachmsu's Thank an Educator initiative.
Authored by:
Dave Goodrich

Posted on: Educator Stories

Stephen Thomas // [Educator Story]
This week, we are featuring Dr. Stephen Thomas who wears many hats ...
Authored by:
PEDAGOGICAL DESIGN
Tuesday, Apr 5, 2022