We found 85 results that contain "justice"

Topic Area: DEI
Presented By: Stacia Moroski-Rigney, Karen Moroski-Rigney
Abstract:
In Fall 2021, the Writing Center’s Accessibility Committee collaborated with a section of First Year Writing to pilot an accessible revision assignment. In this pilot, students were asked to revise a multimodal assignment using accessible composing features (alt text, captions, etc.) and to broaden their idea of “audience” to include disabled readers. Completing both pre- and post-reflections, students carried out these revisions within the course. The Writing Center’s Accessibility Committee developed a workshop on accessible composing to support the students, including video modules, handouts/online resources, and one-to-one writing and revision mentoring. By situating disability justice as a core component of First Year Writing’s goal of fostering critical inquiry and as a core component of the Writing Center’s community engagement and restorative justice work, we hoped to posit accessibility as a meaningful Spartan value for writers beginning their time at MSU.
This presentation will be twofold: First, we will describe the pilot, share some of the resources generated by the Writing Center and some of the reflective writing done by students in FYW, and offer suggestions and support for attendees interested in implementing similar measures in their courses or assignments. Second, we will describe the assessment process we developed for this pilot: What questions did we ask? What rubrics did we employ? How did we collate data or determine success? What did we learn? What do we still hope to learn?
This presentation will provide attendees with takeaways supporting accessible composing as well as strategies for assessing new teaching practices or programmatic turns.please note: the first 15-minutes of this session will be an at-you-own-pace PowerPoint with a script audio for accessibility. 
Session Resources: Imagining Access (PowerPoint)

Writing Centers and Access: A Disability Justice Speaker Series" brings together the fields of composition, writing center studies, and disability studies to ask (and begin the process of answering) the question: How do writing centers engage the process of disability justice? Featuring world-renown disability studies scholars, the series seeks to generate conversation and provide community to teachers of writing, to writers, to writing center professionals, and to communities both on our campuses and beyond about the ways in which disability affects writers, writing, and higher education. The series is hosted by The Writing Center at MSU through the hard work of their Accessibility Committee, under the supervision of Dr. Karen Moroski-Rigney.
Jay Dolmage

Bio: I am committed to disability rights in my scholarship, service, and teaching. My work brings together rhetoric, writing, disability studies, and critical pedagogy. My first book, entitled Disability Rhetoric, was published with Syracuse University Press in 2014. Academic Ableism: Disability and Higher Education was published with Michigan University Press in 2017 and is available in an open-access version online. Disabled Upon Arrival: Eugenics, Immigration, and the Construction of Race and Disability was published in 2018 with Ohio State University Press. I am the Founding Editor of the Canadian Journal of Disability Studies. 
 
Title: Ableism, Access, and Inclusion: Disability in Higher Education Before, During and After Covid-19*
While the recording for Jay's presentation is unavailable, the Writing Center at Michigan State University has shared the recording of their staff meeting, where Jay was a guest.

To learn more about The Writing Center at MSU, to learn more about featuring accessible composing in your assignments or courses, or to connect with Writing Center resources or services, contact Associate Director Dr. Karen Morosk-Rigney at moroskik@msu.edu.

Dr. Karen Moroski-Rigney

Bio: 
I’m Karen-Elizabeth Moroski-Rigney, one of the Associate Directors of The Writing Center. I just joined Michigan State University in Fall 2019! Previously, I had been English & WGSS faculty at Penn State (University Park) where I also coordinated the Undergraduate Writing Center at Penn State Learning. Here at MSU, I’m also one of the inaugural Faculty Accessibility Fellows and a 2019-2020 CAL Leadership Fellow. I’m deeply interested in questions of accessibility and intersectionality — I want to know how the field of writing and writing center studies can continue to engage the digital and the accessible in a pedagogically and personally complex world.
I completed a master’s degree (2013) and doctorate (2017) in Critical Theory (specializing in affective neuroscience, trauma, and the writing process) at Binghamton University. After my PhD, I returned to my first love: Writing Center work. I’m very active in service work for the field of writing center studies! I am an Associate Editor for WAC Clearinghouse; I serve on the board of the International Writing Center Association (IWCA); I spent two years as the elected Secretary and an executive board member for the Mid-Atlantic Writing Center Association (MAWCA) and am the current secretary of the Michigan Writing Center Association (MiWCA); I chaired the scholarships and travel grants committee for IWCA in 2018. Further, I gave a keynote address entitled “Toward a Translingual Writing Center” at the Southeastern Writing Centre Symposium in Toronto in December 2018.
In 2019, I had several peer-reviewed articles published: a colloqium in the Spring 2019 edition of WPA Journal; an article in the Pre/Text special edition on queer rhetorics (Vol 24); a chapter included in a recent edited collection entitled the Pedagogical Potential of Story (Peter Lang, 2019). Still in the pipeline to publication is a chapter in Holly Jackson’s Sharing Spaces and Students: Employing Students in Collaborative Partnerships. My work has also been featured in WLN Blog and Slate.com.
 
Dr. Moroski-Rigney Introduces Writing Centers and Access: A Disability Justice Speaker Series
 

"Writing Centers and Access: A Disability Justice Speaker Series" brings together the fields of composition, writing center studies, and disability studies to ask (and begin the process of answering) the question: How do writing centers engage the process of disability justice? Featuring world-renown disability studies scholars, the series seeks to generate conversation and provide community to teachers of writing, to writers, to writing center professionals, and to communities both on our campuses and beyond about the ways in which disability affects writers, writing, and higher education. The series is hosted by The Writing Center at MSU through the hard work of their Accessibility Committee, under the supervision of Dr. Karen Moroski-Rigney.
 

Topic Area: DEI
Presented By: Ryan Smith, Jennifer Cobbina, Kendra Pyle
Abstract:
Restorative Justice in education facilitates learning communities that “nurture the capacity of people to engage with one another and their environment in a manner that supports and respects the inherent dignity and worth of all” (Evans & Vaandering, 2016, p. 8). Through this lens faculty, staff, and students from across campus formed an interdisciplinary learning community in 2019 to discuss how we can further incorporate restorative practices into our work and relationships in and out of the classroom. Over the last two years, community members have engaged in shared readings and discussions, community building circles, trainings, and supporting one another’s efforts at utilizing restorative practice to build inclusive and engaging communities, including racial healing circles. This session will model restorative practice as we discuss our work, and the ways we have incorporated RP on campus to further community, equity, and healing.Session resources:
Community Building Mini-circle (Document)
Racial Healing Circles FAQ (PDF)

Please apply here by February 19:  https://docs.google.com/forms/d/1N3H76YYEDzlYuN1jZKp3EVy6K7mbo9AivP-142eyd9I 
Epistemic Justice Fellows: Incorporating Students’ Home and Community Knowledge in Teaching and Learning 
 
To instructors in the arts, humanities, and natural sciences and STEM fields: 
We invite faculty (of any appointment type), academic specialists who teach, and graduate students who teach to apply for the interdisciplinary Epistemic Justice Fellowship for this Spring 2025.   
 
This Fellowship is designed to support instructors who want to add or change an assignment, activity, or module/unit in a course to incorporate students’ home and community knowledge, such as students’ home languages, student knowledge about their communities, or home and community knowledge about the natural world. Incorporating and valuing student experiences as assets can positively impact student learning about subject matter as well as enhance student engagement, enjoyment, and belonging. 
 
Fellows will receive $500 at the conclusion of the fellowship. Fellows are expected to:

Develop a new or change an existing activity/assignment/module to incorporate students’ home or community knowledge, and present this work to the cohort
Provide a collegial community for the rest of the cohort who will also be working on their own courses
Attend three Fellow meetings (most in person) from 10AM-12PM on the following Tuesdays:

February 25: Kickoff - foundational concepts and identifying changes to your courses
March 25: Midpoint meeting - check in and group discussion on fellows’ projects, followed by mini-workshop on “Facilitating Teaching Workshops”
April 22: Presentations of fellows’ change or addition to their courses 

Attend the lecture/workshop series connected to this topic, consisting of 3 public talks, some in person and some virtual, throughout the semester (dates TBA - but exceptions/alternatives can be made if those dates are not feasible for a fellow)  
Commit to offering a workshop or mentorship opportunity in the future for colleagues in your own field related to valuing home and community knowledge  

Please apply here by February 19:  https://docs.google.com/forms/d/1N3H76YYEDzlYuN1jZKp3EVy6K7mbo9AivP-142eyd9I 
 
Please note that if you are not sure if your course would be make sense for this fellowship, you are very welcome to contact the organizers at mollelle@msu.edu and troutma1@msu.edu to ask; for example, if you wanted to allow an existing assignment on any topic to be written in the student’s home language for a first draft, that could apply to any subject matter in any course with any writing. 
 
This Fellowship and lecture series are graciously supported by:
Creating Inclusive Excellence Grant from Institutional Diversity and Inclusion
Office of the Assistant Dean for Undergraduate Studies in the College of Arts and Letters
Office of the Assistant Dean for STEM Education in the Office of Undergraduate Education
 
Organizers: Denise Troutman, Sophie Huss, Ellen Moll
Additional PIs: Kristin Arola, Marcie Ray, Stephen Thomas

Accesible Design Checklist: Overview
This post provides an overview checklist for some digital composition accessibility requirements. This is meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the first part of the Accessible Design Checklist series: 

Overview
Text and Content
Multimedia

Overall Design Accessibility
When looking at the design, composers should consider the overall structure and content.
Design FormatFor digital distribution, web pages with HTML or CSS are the most accessible. Other accessible options (when following the design checklist) are Word or Google Docs. PDFs are only accessible if they have been remediated correctly. DisplayInformation is set to be perceivable in either landscape or portrait modes. The design should not require users to scroll in both up/down and left/right. The design can be zoomed in without losing meaning. The design should be able to be navigated and interacted with using a keyboard alone. HeadingsHeadings use tagged heading structures with hierarchies. The headings do not skip levels. Use the Level 1 Heading designation only once per design.LanguagesThe design’s language is set to the primary language of the document. Any words or phrases in additional languages are set for those words as a different language. NavigationThe design allows for more than one way to find relevant pages within a set of pages. The design also provides content overviews with links so that users may bypass content.OrderThe design provides an easily understandable order to the content. When using lists, use bullet points and order the information logically, such as alphabetically or by data size.TitleThe design has a specific title. This title is displayed in the document name or the tab of a website.
References and Resources for Accessible Design

Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist 
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview

Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Text and Content.Accessible Design Checklist: Overview © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Close checklist wooden surface" is marked with CC0 1.0.

Topic Area: Student Success
Presented By: Candace Robertson, Brittany Dillman, Liz Boltz
Abstract:
How can we support student success by removing the barrier of grading? What impact would this have on feedback and iteration? Members from Team MAET (Master of Arts in Educational Technology) will share how they worked through these questions and others to move the majority of program courses to an ungrading philosophy as an act of social justice. In this session, you will learn from the triumphs, challenges, and solutions from their journey.Session resources:Google Slidedeck (website)

The Cube (publishing - process - praxis) is a publishing nexus housed in Michigan State University's Department of Writing, Rhetoric, and American Cultures (WRAC). The Cube supports, promotes, and produces open-access works created by diverse members of the mid-Michigan and Michigan State communities. Our publishing focuses on messages of social justice, accessibility, diversity, and inclusion. We provide a space for diverse voices to publish and advocate for their work and engage with audiences they would otherwise have difficulty reaching. This Poster, featuring The Cube's director, its graduate assistant, and its lead undergraduate web developer, will provide an overview of the work the Cube does, from brainstorming to final product, and show how we faced adversity and thought creatively in the wake of massive budget cuts to the humanities. 

To access a PDF of the "We Are The Cube" poster, click here.
Description of the Poster 
This poster is made using something similar to a mind map, with bubbles named “high-impact experiential learning,” “people,” “mentorship and community,” “projects,” “process,” and “skills.” Surrounding those bubbles are smaller bubbles with descriptions (described below). 
We are The Cube. 
Publishing - Process - Praxis  
We are a publishing nexus that supports, promotes, and produces open-access work created by diverse members of the mid-Michigan community, focusing on messages of social justice, accessibility, diversity, and inclusion through high-impact experiential learning. We provide a space for diverse ranges of persons, places, and communities to publish and advocate for their work and to engage with audiences they would otherwise be unable to reach. 
High-Impact Experiential Learning Circle: 
Mentorship is key. Project proposals come to The Cube via our website; from there, we review projects and hire paid undergraduate and graduate interns to complete the work. At any given time, The Cube has between twelve and twenty interns, and our entire budget is dedicated to labor. 
 Throughout our processes, students are mentored by faculty members, encouraged to take risks and make mistakes,  praised for their good work, and given credit for that work. For a full list of our mentors and interns, see our website: https://thecubemsu.com/. 
Experiential learning programs allow students to take risks, make mistakes, and learn from those mistakes in a safe and supportive environment. 
There are two goals. One is to learn the specifics of a particular subject, and the other is to learn about one’s own learning process. 
Experiential learning works in four stages:  

concrete learning,  
reflective observation,  
abstract conceptualization, and  
active experimentation. 

All of these are key for developing both hard and soft skills, which students will need to be ethical pioneers in their fields and in their communities. 
Representative People Circle: 
Catherine Davis, User Experience and Design Intern 
Shelby Smith, Writing and Editing Intern 
Grace Houdek, Graphic Design Intern 
Jaclyn Krizanic, Social Media Intern 
Jeanetta Mohlke-Hill, Editorial Assistant 
Emily Lin, Lead UX Designer  
Mitch Carr, Graduate Assistant and Project Coordinator 
Kara Headly, Former Social Media Intern 
Community & Mentorship Circle: 
Dr. Kate Birdsall, Director 
Dr. Alexandra Hidalgo, Editor-in-Chief  
Dr. Marohang Lumbu, Editor-in-Chief 
The Writing Center at MSU 
Writing, Rhetoric, and American Cultures (WRAC) at MSU 
Projects Circle: 
The Current, digital and print magazine 
JOGLTEP, academic journal 
Constellations, academic journal 
Agnes Films, feminist film collective 
The Red Cedar review, literary journal 
REO Town Reading Series Anthology, digital book 
Superheroes Die in the Summer, digital book 
Process Circle: 
Brainstorming 
Collaboration 
Client Relations  
Consistent Voice and Branding 
UX Design and Engineering 
Skills Circle: 
Confidence  
Editing and Writing Style Guides 
Professional Development 
Risk Analysis 
Develop Professional Portfolio 
Human Centered Design 
Developmental and Copy Editing 
Poster by: Dr. Kate Birdsall, Mitch Carr, and Emily Lin (Writing, Rhetoric, and American Cultures (WRAC) Department))