We found 411 results that contain "syllabus design"

Designing Your Course
 
The semester will begin soon, and we’re sure you’re busy prepping your course. This design work before the beginning of the semester is an essential part of overall student learning and provides a framework you can respond to as you gather assessment evidence across the semester. As you are designing this week, we want to provide some guidance by sharing “backward design” principles from our Preparing Future Faculty for the Assessment of Student Learning (PFF-ASL) Institute. We’ve found these principles extremely helpful for making sure student learning is always in focus and all elements of our courses are aligned toward our learning outcomes.
 
Designing Your Course “Backward”
 
Initially introduced by Wiggins and McTighe (1998), “backward design” for curriculum involves building your course from end-of-course learning outcomes, through evidence you’ll gather out of assessments, and finally to the instructional activities students will engage in to help them learn towards readiness for assessments and meeting learning outcomes. In this video, Dr. Cori Fata-Hartley further outlines essential steps of backward design: 
 

 
Using Dr. Fata-Hartley’s outlining of backward design principles as our guide, here are four questions to help you this week as you’re designing your course:
 
1) What Do You Hope Students Know and Are Able to Do?: This question can help anchor your creation of learning outcomes. We’ve found “Students Will Be Able To” (SWBAT) as a helpful lead-in statement to direct the writing of our learning outcomes. And remember, your learning outcomes should be observable (and thus assessable), which leads to question # two.
 
2) What Assessment Evidence Will You Gather?: Answering this question allows you to think about how you’ll know if students have met course learning outcomes. Assessments provide the necessary evidence of learning out of which you can make decisions about where you and students are along the way to meeting learning outcomes. 
3) What Learning Experiences Will You Provide for Students?: The learning experiences you plan across your course builds towards the assessments students will do towards learning outcomes. What will students and you engage in at each step along the way? How do these steps lead towards assessments and learning outcomes?
 
4) Is Your Course Design Aligned?: Tracing across your answers to the previous three questions, you can begin to see whether your course design is aligned. This can allow you to make the necessary revisions towards best alignment and student learning, and keep elements that are already working. This alignment work is a constant process across–and even after–your course as students respond to your design.
 
Resources
Wiggins, G., & McTighe, J. (1998). Understanding by Design. Alexandria, Va: Association for Supervision & Curriculum Development.
 

What is Universal Design for Learning?
According to the CAST website, Universal Design for Learning (UDL) is “a framework to improve and optimize teaching and learning for all people based on scientific insights into how humans learn.” Although UDL is not exclusive to digital accessibility, this framework prioritizes inclusivity and thus inherently lends itself to the creation of courses that are accessible to all students.
UDL is built on an understanding of the term learning as the interaction and layering of: 

Recognition, or the “what”
Skills and Strategies, or the “how”
Caring and Prioritizing, or the “why”

The ultimate goal of UDL is to design a course that is accessible to everyone from its very inception and is open to flexibility.  UDL can help instructors create accessible goals, methods, materials, and assessments.
UDL proposes the following three principles to upend barriers to learning:

Representation - present material in a variety of ways
Action and Expression - allow students to share what they know in their own
Engagement - provide students with choices 

Explore this topic further in CAST’s “UDL at a Glance”:
UDL GuidelinesLearn more about the Guildlines for UDL via the accessible and interactive table on the CAST website.

Instructional Technology and Development’s Incorporating Universal Design for Learning (UDL) into Your Course Design

Further Reading

Michigan Tech’s guide for UDL
Weaver Library’s Research Guide Universal Design for Learning (UDL) & Accessibility for Faculty
Introduction to Universal Learning Design (UDL) by Shannon Kelly

Sources

About universal design for learning. CAST. (2024, March 28). https://www.cast.org/impact/universal-design-for-learning-udl

This article is part of the Digital Accessibility Toolkit.

The following are a optional Inclusion Statements to include on your syllabus:

Michigan State University is committed to providing access and promoting/protecting freedom of speech in an inclusive learning environment. Discrimination and harassment based on a protected identity are prohibited. Please review MSU’s Notice of Non-Discrimination, Anti-Harassment, and Non-Retaliation.  
In this class, we will work together to create and maintain a respectful teaching and learning environment where we engage in conversations that challenge our perspectives and understanding.  
Please let me know if you would like me to use a name for you that is not reflected in the University system or if there is anything else I can do to support your access to this class. 

 
Language that should NOT be included in a syllabus 

Language that appears to promote protected identity-based preferences or otherwise violates federal or state civil rights laws  
Language that appears to restrict First Amendment rights  
References to any “policy” that is not a University or unit-level policy 


Also, for your reference:Religious Observances & Holidays: Michigan State University has long had a policy to permit students, faculty/academic staff, and support staff to observe those holidays set aside by their chosen religious faith.
Links to the policies can be found below:

Religious Observance Policy (students, faculty, academic staff)
Support Staff Policy for Observance of Religious Holidays (support staff)

More information about religious holidays and traditions can be found online.

Interfaith Calendar
Center for Spiritual and Ethical Education
Ramadan at MSU

Provisional Land Acknowledgement: (This paragraph is intended to be read at the beginning of formal events or published in printed material.)
We collectively acknowledge that Michigan State University occupies the ancestral, traditional, and contemporary Lands of the Anishinaabeg – Three Fires Confederacy of Ojibwe, Odawa, and Potawatomi peoples. In particular, the University resides on Land ceded in the 1819 Treaty of Saginaw. We recognize, support, and advocate for the sovereignty of Michigan’s twelve federally-recognized Indian nations, for historic Indigenous communities in Michigan, for Indigenous individuals and communities who live here now, and for those who were forcibly removed from their Homelands. By offering this Land Acknowledgement, we affirm Indigenous sovereignty and will work to hold Michigan State University more accountable to the needs of American Indian and Indigenous peoples.Visit MSU's American Indian and Indigenous Studies page for more information on Land Acknowledgements. 

Learning Objectives

Define transparent Task instructions
Describe the importance of clearly written task instructions in an assignment
List 10 tips for writing clearly stated task assignment instructions.
Identify whether the transparency in a set of task instructions is weak or strong 

Introduction
This is part 3 of a 5 part series of articles on Transparent Assignment Design (Part 1, Part 2)The second critical element of a transparent assignment is the Task. The task is what students should do and deals with the actions the students have to take to complete the assignment. 
The Significance of Transparency in Task
Have you ever had to follow a cooking recipe or build a piece of furniture with poor instructions? Perhaps the instructions were word-heavy or confusing, the steps were out of order, a step was missing, or the diagrams were incorrect, confusing, or absent. When writing instructions for an assignment, especially multi-step, scaffolded types of assignments, we need to think like Instructional Designers. A guiding question that should be at the forefront of an Instructional Designer’s mind is: How could a non-expert complete this activity with the fewest errors? Our goal as educators is to set students up for success, not to create obstacles with unclear instructions. Instructions should be concise, straightforward, include all the required tools/resources, and be seamless to follow.
The "Task" section explains to students the steps they need to take to complete the assignment. It often includes any additional resources that students will need, such as data sets, articles to cite, websites to visit, etc.

Watch:

10 Tips for Writing an Effective “Task” Section:
1. Keep it Simple:

Avoid text-heavy instructions. Over-explaining can lead to distraction and confusion.

2. Use Positive and Direct Instructions:

Cognitive psychologists have found that it is easier for our brains to process what ‘to do’ than what ‘not to do’. If you must add avoidance statements, start with what students should do first.
Focus on direct instructions for what students should do, and limit how often you focus on what students should not do.
Example: Instead of saying, "Don’t forget to use APA style," say, "Use APA style for citations."

3. Consistent Formatting:

Use sparing bolding, underlining, italicizing, highlighting, all caps and font color.
Overuse of these features can create accessibility problems for screen readers and dilute the importance of truly key information.

4. Utilize Visual Aids:

Incorporate screenshots, mini-videos, gifs, and diagrams. As the saying goes, pictures can speak a thousand words and sometimes it's just easier to see someone carry out the task first.

5. Use Lists:

Numbered or bulleted lists help cut back on words and make instructions clearer. Avoid excessive levels of granularity in your lists (e.g., 1.2.5.14), which can be confusing.

6. Leverage Collaborative Tools:

Consider using Google Docs or other collaborative, cloud-based processors instead of the upload/download method of sharing assignment documents. 
The perks of using cloud-based processors include avoiding multiple versions of the same document, allowing for seamless updates, embedding of images, videos, and hyperlinks, allowing for students to “comment” on the document.

7. Hyperlink to Resources:

This increases usability and reduces time spent searching for materials buried in the course by centralizing all necessary resources to complete the assignment in one spot.

8. Consistent Labeling of Key Terms:

Use consistent terminology. Avoid using different labels for the same concept, as this can be confusing, especially for non-experts and second-language speakers.

9. Provide Troubleshooting Tips:

Include a separate document with common issues and their solutions, linked from the main instructions. Invite students to help curate this FAQ.

10. Seek Feedback:

Have someone unfamiliar with the assignment go through the instructions or use a generative AI tool to identify areas for improvement in usability and understanding.


Examples of Tasks Instructions
Weak Task Instructions:
Assignment: Write a Literary Analysis Essay on a Novel of Your Choice.
Task Section: Read the novel and write an essay about it.
Explanation: This task section is too vague and lacks specificity. It doesn’t provide clear steps, structure, or resources, leaving students uncertain about what is expected.

Strong Task Instructions:
Assignment: Write a Literary Analysis Essay on a Novel of Your Choice.
Task:

Choose a Novel:


Select a novel from the provided list in the course’s Week 2 folder. Ensure your choice is approved by [date].

2. Read the Novel:

Read the entire novel. Take notes on key themes, characters, and plot points as you read.

3. Develop a Thesis Statement:

Craft a clear, arguable thesis statement that reflects your analysis of the novel. Your thesis should focus on a specific theme, character, or literary device.

4. Gather Evidence:

Collect textual evidence (quotes, passages) from the novel to support your thesis. Make sure to note the page numbers for proper citation.

5. Outline Your Essay:

Create an outline that includes an introduction, body paragraphs, and a conclusion. Each body paragraph should focus on a single point that supports your thesis.

6. Write the First Draft:

Write the first draft of your essay, following the outline. Ensure your essay is 1500-2000 words in length and includes an introduction with a thesis statement, body paragraphs with evidence, and a conclusion.

7. Use MLA Formatting:

Format your essay according to MLA guidelines. Include in-text citations and a Works Cited page for the novel and any other sources you reference.

8. Peer Review:

Submit your draft to the peer review forum by [date]. Review at least two of your classmates' essays and provide constructive feedback.

9. Revise and Edit:

Based on peer feedback and your own review, revise and edit your essay. Focus on clarity, coherence, and correct grammar.

10. Submit the Final Essay:

Submit your final essay via the course’s online portal by [date]. Ensure you attach your draft with peer review comments.

Resources:

Refer to the “Literary Analysis Guide” available in the Resources folder for detailed instructions on developing a thesis and gathering evidence.
Use the “MLA Formatting Guide” linked [here] for help with citations and formatting.

Submission Checklist:

Thesis statement
Evidence from the text with citations
Outline
Draft with peer comments
Final essay in MLA format

Explanation: 
This task section is detailed and structured, providing clear, step-by-step instructions and necessary resources. It specifies what students need to do at each stage, the tools they should use, and deadlines, ensuring that students understand how to proceed and complete the assignment effectively.

Resources: 
Note: This is article 3 of a 5-part series on Transparent Assignments.

Quick Guide to Transparent Assignments (CTLI:MSU)

Accesible Design Checklist: Multimedia
This checklist meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the third and last part of the Accessible Design Checklist series: 

Overview
Text and Content
Multimedia

Multimedia Accessibility
Multimedia includes any design that pairs text, visuals, and/or sound, such as videos, audio recordings, and graphics.
AudioA text version of the transcript is provided for all audio with accurate transcriptions. Ideally, there are also descriptive audio descriptions for users. When possible, the audio should also be high-quality audio with clear language spoken slowly.GraphicsGraphics may include images, photographs, logos, and charts and graphs. For charts and graphs, information should not be communicated with color alone to differentiate between categories. Avoid memes and screenshots of text (except in a logo). All graphics should be marked as decorative or have alternative text (alt-text), which has multiple considerations: 

Decorative images convey no meaning nor give additional information for users. Decorative images should be marked as “decorative,” “artifact,” or assigned a null attribution in the code (i.e., alt="").
Alternative text should consider the audience and purpose of the content in its description. This means that only key information is conveyed rather than every extraneous detail. 
Alternative text should be concise and generally less than 150 characters. If describing visuals such as paintings or charts, then a long description of the visual can be given within the text and the alternative text can be shorter (e.g., “Vincent van Gough’s 1889 “Starry Night.” More information in long description.”)
Alternative text should not include phrases such as “image of” or “photo of.”

VideoVideos or moving graphics should not flash more than three times per second. Videos should not autoplay, and users should also have the ability to pause the video. In addition, videos should have similar considerations to audio and graphics, including: 

A transcript is provided for all audio from the video with accurate transcriptions and descriptive audio. The transcript may also contain descriptions of visual information. 
A video has real-time captions, and when possible, sign language interpretation.

References and Resources for Accessible Design

Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist 
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview

Accessible Design Checklist: Multimedia © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "video- (1962) 'Canon Reflex Zoom 8-3' 8mm movie camera- A Modern Rediscovery" by Crunchy Footsteps is licensed under CC BY 2.0.

Here is a syllabus template that 1) meets MSU requirements as of 2023, 2) is accessible for online documents, 3) meets or describes how to meet most Quality Matters rubric criteria, and 4) encourages an inclusive and welcoming class. This includes a thorough list of student resources, statements that reduce the hidden curriculum (such as describing the purpose of office hours), and notes that continually encourage students to seek assistance from the instructor or resources.This template was developed for the Center for Integrative Studies in General Science (CISGS), College of Natural Science, but most of it is appropriate for other departments. The CISGS-specific aspects are highlighted in green (or search for CISGS in the file) and therefore can be easily removed. The template begins with an introduction to instructors so that you can learn more about the development of the syllabus. It was developed summer 2023 and is periodically updated- if you notice any issues (e.g., broken URL links), then please contact Andrea Bierema (abierema@msu.edu). To see any updates since last you looked at the template, once in the file, click "File," click "version history," select any version dates since last you looked at the file, and turn on "show changes."Check out the syllabus template, use whatever information you find useful, or start from the beginning by downloading and editing the template for your class!Featured Image: curriculum by Candy Design from <a href="https://thenounproject.com/browse/icons/term/curriculum/" target="_blank" title="curriculum Icons">Noun Project</a> (CC BY 3.0)

Your Pedagogical Practices. 
In the previous step, the reader was asked to consider what various teaching methods they use. The combination of those used and the reasons why they’re implemented essentially compose ones teaching pedagogy. Your teaching pedagogy should encompass the theories, practices, principles, and core values that you use to guide student learning. As opposed to teaching methods, your teaching pedagogy is unique to you and constructed by your specific values as opposed to being merely strategies you employ.
In essence, it would be reductive to describe your teaching pedagogy by a broad name, while you may mostly agree with one person, perceptions of the various methods and named pedagogies are never quite the same. Nevertheless, attempts to categorize them are helpful in the sense they give individuals a base point to begin crafting their own growing pedagogies.
 
This section does not exist to instruct you on how to form your own pedagogies, but to instead consider how your pedagogy is worked into your syllabus, what benefits your pedagogy offers the students of your course and are your methods and strategies towards teaching supported through up-to-date research. This step understandably involves the most homework on the part of the reader. To develop your teaching pedagogy and ensure you are using up-to-date teaching practices it’s encouraged that you:
 

Occasionally read peer-reviewed journals on teaching:

Journal of Teaching Education
Teaching in Higher Education
Journal of College Student Development
There may be ones specific to your own field:

Journal for Research in Mathematics Education
Journal of Research in Reading
Etc.




Attend Professional Developments offered by your institution.

Most schools offer these kinds of opportunities every year. Sometimes they are designed as training for new educators, but it can always be helpful to get involved.


Discuss your current thoughts on education with colleagues.

You’re a member of a department and have several other instructors working alongside you who also work with students. Rely on their knowledge and experience as well as your own to create ideas and thoughts relating to teaching.



 
Use your syllabus as a way to express your teaching pedagogy, making it clear to those who read it explicitly what your values as an educator are and how you set out to accomplish them.
 
 
Something is missing…
The intention behind this guide is to help craft a working/functional syllabus and use popular opinions of what a syllabus is used for as a metric for how well it is written. There is simply too much about teaching to summarize in a single guide. To that end, you may have teaching techniques, ideas, methods, concepts, activities, etc. that are not touched upon or discussed here. Perhaps there have been things written here that do not apply to you/your class or that you disagree with.
 
That view is welcome.
 
Engaging with this activity to that degree is essentially the point of the activity itself. Pushing you to consider what is valuable as an instructor and how to use the syllabus to help achieve those goals. The syllabus is a humble and often overlooked tool, but also one of the most universal. To this end, if you have anything to contribute that hasn’t been mentioned here that you value…
 
Include it in the syllabus.

This tutorial guides instructors through the process of designing a course in an innovative manner, with particular emphasis on the geosciences.