We found 450 results that contain "interdisciplinary design"
Posted on: Center for Teaching...

Accessibility Considerations for Design and Presentations
This playlist works to address various realms of accessibility from composition design to presenting accessibly.
The playlist cover photo, mARTin.Hinterdorfer, is licensed under CC BY-SA 4.0, via Wikimedia Commons
The playlist cover photo, mARTin.Hinterdorfer, is licensed under CC BY-SA 4.0, via Wikimedia Commons
JUSTICE AND BELONGING
Posted on: #iteachmsu

Interdisciplinary Course Design Resources from CIRCLE
In mid-November, CIRCLE hosted a workshop on interdisciplinary course design and teaching. It was a generative conversation that gave MSU educators interested in interdisciplinary teaching the chance to connect and share resources and tactics. We showcased 2 panelists with experience designing and teaching interdisciplinary courses: Erin Dreelin (Fisheries & Wildlife and Center for Water Studies) and Garth Sabo (Director of the Center for IAH). The panel discussed effective interdisciplinary course design, strategies to address potential challenges, and the potential benefits of interdisciplinary courses for instructors and students.This workshop's goal was for both new and seasoned interdisciplinary educators to move their own practices forward, from classroom strategies to evaluation of interdisciplinary teaching effectiveness. Participants had the opportunity to reflect on their own interdisciplinary teaching philosophies and work on individualized plans for interdisciplinary teaching.You can watch Garth Sabo's panel contribution video below, in which he describes some of his experiences plannign and teaching interdisciplinary courses. You can also access CIRCLE's interdisciplinary teaching resources at this link. Our resources include:
Harden's Ladder of Integration framework for interdisciplinary course design
a handout including the benefits, challenges, and institutional resources to support interdisciplinary teaching
a personalizable planning worksheet that you can print and complete
If you have any questions about interdisciplinary course design, you can contact Ellie Louson, CIRCLE's associate director of interdisciplinary teaching & learning (lousonel@msu.edu), or our panelists Erin Dreelin (dreelin@msu.edu) and Garth Sabo (sabogart@msu.edu). Save the date for our second interdisciplinary teaching & learning workshop, which will focus on co-teaching and collaboration on interdisciplinary teaching teams. It will be held February 14th 10AM-1PM (registration link TBA).If you are interested in further programming from CIRCLE, please apply to become one of our affiliates here: https://research.msu.edu/circle/affiliate-faculty-program (we accept applications on a rolling basis).
Harden's Ladder of Integration framework for interdisciplinary course design
a handout including the benefits, challenges, and institutional resources to support interdisciplinary teaching
a personalizable planning worksheet that you can print and complete
If you have any questions about interdisciplinary course design, you can contact Ellie Louson, CIRCLE's associate director of interdisciplinary teaching & learning (lousonel@msu.edu), or our panelists Erin Dreelin (dreelin@msu.edu) and Garth Sabo (sabogart@msu.edu). Save the date for our second interdisciplinary teaching & learning workshop, which will focus on co-teaching and collaboration on interdisciplinary teaching teams. It will be held February 14th 10AM-1PM (registration link TBA).If you are interested in further programming from CIRCLE, please apply to become one of our affiliates here: https://research.msu.edu/circle/affiliate-faculty-program (we accept applications on a rolling basis).
Authored by: Ellie Louson
Pedagogical Design
Posted on: #iteachmsu

Interdisciplinary Co-Teaching Resources from CIRCLE
CIRCLE’s second interdisciplinary teaching & learning workshop, held on February 14th, focused on collaborative teaching and co-teaching. We showcased 2 panelists experienced in co-teaching and collaborative teaching: Rachel Barnard (Lyman Briggs Chemistry and ULA Director) and Stephen Thomas (Assistant Dean of STEM Teaching and Learning, NatSci Digital Curriculum Coordinator, and Associate Director for CISGS). This workshop focused on collaborative teaching and co-teaching within interdisciplinary courses and other learning experiences. Our goal was for both new and seasoned interdisciplinary educators to move their own practices forward, emphasizing classroom and co-teaching practices.
Attendees discussed effective interdisciplinary co-teaching, strategies to address potential challenges, and the potential benefits of interdisciplinary courses for instructors and students. Participants had the opportunity to reflect on their own interdisciplinary teaching philosophies and work on individualized action plans.
You can watch Stephen Thomas' panel contribution video below, in which he describes some of his experiences plannign and teaching interdisciplinary courses. You can also access CIRCLE's interdisciplinary co-teaching resources at this link. Our resources include:
a tip sheet of co-teaching tips
a handout of course and campus resources to support intersidciplinary co-teaching
a personalizable planning worksheet that you can print and complete
If you have any questions about interdisciplinary course design, you can contact Ellie Louson, CIRCLE's associate director of interdisciplinary teaching & learning (lousonel@msu.edu), or our panelists Rachel Barnard (rbarnard@msu.edu) and Stephen Thomas (sthomas@msu.edu).
If you are interested in further programming from CIRCLE, please apply to become one of our affiliates here: https://research.msu.edu/circle/affiliate-faculty-program (we accept applications on a rolling basis).
This was CIRCLE’s second teaching & learning workshop for 2024-25. Our first workshop focused on interdisciplinary course design and course planning; resources from that workshop are available here.
Attendees discussed effective interdisciplinary co-teaching, strategies to address potential challenges, and the potential benefits of interdisciplinary courses for instructors and students. Participants had the opportunity to reflect on their own interdisciplinary teaching philosophies and work on individualized action plans.
You can watch Stephen Thomas' panel contribution video below, in which he describes some of his experiences plannign and teaching interdisciplinary courses. You can also access CIRCLE's interdisciplinary co-teaching resources at this link. Our resources include:
a tip sheet of co-teaching tips
a handout of course and campus resources to support intersidciplinary co-teaching
a personalizable planning worksheet that you can print and complete
If you have any questions about interdisciplinary course design, you can contact Ellie Louson, CIRCLE's associate director of interdisciplinary teaching & learning (lousonel@msu.edu), or our panelists Rachel Barnard (rbarnard@msu.edu) and Stephen Thomas (sthomas@msu.edu).
If you are interested in further programming from CIRCLE, please apply to become one of our affiliates here: https://research.msu.edu/circle/affiliate-faculty-program (we accept applications on a rolling basis).
This was CIRCLE’s second teaching & learning workshop for 2024-25. Our first workshop focused on interdisciplinary course design and course planning; resources from that workshop are available here.
Authored by: Ellie Louson
Pedagogical Design
Posted on: PREP Matrix
MSU Interdisciplinary Inquiry and Teaching Fellowship Program
The IIT Fellowship Program, a collaboration between the Graduate School and James Madison Residential College of Public Affairs at MSU, provides professional development for graduate students in order to develop undergraduate teaching skills and learn about curriculum development in an interdisciplinary context.
Posted by: Admin
Navigating Context
Posted on: The MSU Graduate Le...
Creative Interdisciplinary Graduate Student Group
Final Report: https://iteach.msu.edu/posts/preview_attachments?post_id=1497
Authored by: Hazel Moyo, Gloria Nzeka, Rodrigo Souza, Ayo Thomas
Navigating Context
Posted on: PREP Matrix
Designing A Course
Washington University in St. Louis provides an outline for designing a course that uses the principles of backwards design (meaning that it begins with goals and works backwards to content).
Posted by: Admin
Navigating Context
Posted on: Spring Conference o...

Teaching and Learning about Data Through Stories: An Interdisciplinary Perspective
Title: Teaching and Learning about Data Through Stories: An Interdisciplinary PerspectivePresenters: Lee Melvin Peralta (College of Education); Louise Jezierski (James Madison College)Format: Paper PresentationDate: May 10th, 2023Time: 10:00 am - 11:15 am Room: 3201, Stem BuildingDescription:In a 2018 report on data science education, the National Academies of Sciences, Engineering, and Medicine recommended that academic institutions encourage all undergraduate students, regardless of their backgrounds or career goals, to develop a basic understanding of data literacy and data science. In this paper, we build on the literature on undergraduate data literacy and data science education by discussing emerging findings from a new interdisciplinary course on data storytelling. The course was a freshman and sophomore research seminar involving the collaborative development of a survey instrument and the creation of corresponding data-driven stories. Through the survey, students sought to understand other undergraduate students' perspectives on the topics of food insecurity, healthcare, and economic mobility--topics that were chosen by the students and presented through various data visualizations. The course emphasized the role of stories, not only in representing the results of data analysis but also in understanding research practices through a storytelling lens. Recent literature suggests the importance for students to develop technical competency with data alongside an understanding of the sociopolitical and ethical dimensions of data. Emerging findings from the data storytelling course suggest an opportunity to leverage storytelling practices toward supporting students in developing a critical and creative orientation toward data. By attending to narrative structure, the materiality of storytelling, and the affective dimensions of stories, students were not only able to develop technical and critical skills toward data but also to address broader epistemological and ontological questions about the nature of knowledge production.
Authored by: Lee Melvin Peralta
Pedagogical Design
Posted on: Center for Teaching...

Overview: Accessible Design Checklist
Accesible Design Checklist: Overview
This post provides an overview checklist for some digital composition accessibility requirements. This is meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the first part of the Accessible Design Checklist series:
Overview
Text and Content
Multimedia
Overall Design Accessibility
When looking at the design, composers should consider the overall structure and content.
Design FormatFor digital distribution, web pages with HTML or CSS are the most accessible. Other accessible options (when following the design checklist) are Word or Google Docs. PDFs are only accessible if they have been remediated correctly. DisplayInformation is set to be perceivable in either landscape or portrait modes. The design should not require users to scroll in both up/down and left/right. The design can be zoomed in without losing meaning. The design should be able to be navigated and interacted with using a keyboard alone. HeadingsHeadings use tagged heading structures with hierarchies. The headings do not skip levels. Use the Level 1 Heading designation only once per design.LanguagesThe design’s language is set to the primary language of the document. Any words or phrases in additional languages are set for those words as a different language. NavigationThe design allows for more than one way to find relevant pages within a set of pages. The design also provides content overviews with links so that users may bypass content.OrderThe design provides an easily understandable order to the content. When using lists, use bullet points and order the information logically, such as alphabetically or by data size.TitleThe design has a specific title. This title is displayed in the document name or the tab of a website.
References and Resources for Accessible Design
Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview
Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Text and Content.Accessible Design Checklist: Overview © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Close checklist wooden surface" is marked with CC0 1.0.
This post provides an overview checklist for some digital composition accessibility requirements. This is meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the first part of the Accessible Design Checklist series:
Overview
Text and Content
Multimedia
Overall Design Accessibility
When looking at the design, composers should consider the overall structure and content.
Design FormatFor digital distribution, web pages with HTML or CSS are the most accessible. Other accessible options (when following the design checklist) are Word or Google Docs. PDFs are only accessible if they have been remediated correctly. DisplayInformation is set to be perceivable in either landscape or portrait modes. The design should not require users to scroll in both up/down and left/right. The design can be zoomed in without losing meaning. The design should be able to be navigated and interacted with using a keyboard alone. HeadingsHeadings use tagged heading structures with hierarchies. The headings do not skip levels. Use the Level 1 Heading designation only once per design.LanguagesThe design’s language is set to the primary language of the document. Any words or phrases in additional languages are set for those words as a different language. NavigationThe design allows for more than one way to find relevant pages within a set of pages. The design also provides content overviews with links so that users may bypass content.OrderThe design provides an easily understandable order to the content. When using lists, use bullet points and order the information logically, such as alphabetically or by data size.TitleThe design has a specific title. This title is displayed in the document name or the tab of a website.
References and Resources for Accessible Design
Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview
Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Text and Content.Accessible Design Checklist: Overview © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Close checklist wooden surface" is marked with CC0 1.0.
Authored by: Bethany Meadows
Justice and Belonging
Posted on: Center for Teaching...

Text and Content: Accessible Design Checklist
Accesible Design Checklist: Text and Content
This checklist meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the second part of the Accessible Design Checklist series:
Overview
Text and Content
Multimedia
Text and Content Accessibility
When looking at the overall design of content, composers should consider the overall text and content on their designs.
Color ContrastColor alone should not be used to convey meaning. When color is used beside black and white, it should have a color contrast between the text and background of at least 4.5 to 1. Spartan Green is also an acceptable addition to use with white. The colors used should not affect colorblind users.FontThe font chosen should be a sans serif font with no narrow, bold, or decorative features. Preferably, a font that has unique characters (e.g., the I, l, and 1 are different) should be chosen.
In general, no more than two different fonts should be used.
The font size should be at least 12 points.
HyperlinksHyperlinks should be descriptive, which means that without the context of the sentence around the hyperlink, it should be understandable on its own. Avoid using the full link directly into a design.Inclusive LanguageThere are many considerations for written language within a design.
The work should avoid jargon and idioms that are not understandable for a wide audience.
Written work should be concise and understandable.
Avoid using a word fully capitalized to convey information (if it’s not an acronym). Acronyms should not be used without first defining them.
Avoid using language that excludes and/or harms users, such as ableist language or genderist language.
SpacingText should be left-aligned, and alignment should not be used to convey meaning. There are many textual spacing properties to consider in designs:
Line spacing is at least 1.5 times the font size;
Spacing following paragraphs is at least 2 times the font size;
Letter spacing is at least 0.12 times the font size; and
Word spacing is at least 0.16 times the font size.
TablesTables should be used for tabular data rather than visual presentation. Use simple tables with one column and/or one row with headings and avoid merged cells. Tables should have captions, textual contextualization, and all cells filled.
References and Resources for Accessible Design
Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview
Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Multimedia.Accessible Design Checklist: Text and Content © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Free close design text computer" is marked with CC0 1.0.
This checklist meant to serve as a starting place, rather than a complete list or expert regulations. Accessibility should be considered throughout all parts of the design process, and designing accessible compositions benefits all people, not just those with disabilities. This post is the second part of the Accessible Design Checklist series:
Overview
Text and Content
Multimedia
Text and Content Accessibility
When looking at the overall design of content, composers should consider the overall text and content on their designs.
Color ContrastColor alone should not be used to convey meaning. When color is used beside black and white, it should have a color contrast between the text and background of at least 4.5 to 1. Spartan Green is also an acceptable addition to use with white. The colors used should not affect colorblind users.FontThe font chosen should be a sans serif font with no narrow, bold, or decorative features. Preferably, a font that has unique characters (e.g., the I, l, and 1 are different) should be chosen.
In general, no more than two different fonts should be used.
The font size should be at least 12 points.
HyperlinksHyperlinks should be descriptive, which means that without the context of the sentence around the hyperlink, it should be understandable on its own. Avoid using the full link directly into a design.Inclusive LanguageThere are many considerations for written language within a design.
The work should avoid jargon and idioms that are not understandable for a wide audience.
Written work should be concise and understandable.
Avoid using a word fully capitalized to convey information (if it’s not an acronym). Acronyms should not be used without first defining them.
Avoid using language that excludes and/or harms users, such as ableist language or genderist language.
SpacingText should be left-aligned, and alignment should not be used to convey meaning. There are many textual spacing properties to consider in designs:
Line spacing is at least 1.5 times the font size;
Spacing following paragraphs is at least 2 times the font size;
Letter spacing is at least 0.12 times the font size; and
Word spacing is at least 0.16 times the font size.
TablesTables should be used for tabular data rather than visual presentation. Use simple tables with one column and/or one row with headings and avoid merged cells. Tables should have captions, textual contextualization, and all cells filled.
References and Resources for Accessible Design
Level Access’ Must-Have Web Content Accessibility Guidelines (WCAG) Checklist
Michigan State University’s Create Accessible Content
University of Washington’s Accessibility Checklist
Web Accessibility in Mind’s WCAG 2 Checklist
Web Accessibility Initiative's Design and Develop Overview
Continue to read more about the checklist in the next part of the series, Accessible Design Checklist: Multimedia.Accessible Design Checklist: Text and Content © 2024 by Bethany Meadows is licensed under CC BY-NC 4.0. The cover photo, "Free close design text computer" is marked with CC0 1.0.
Authored by: Bethany Meadows
Justice and Belonging
Posted on: #iteachmsu
Our Spartan Studios Playkit is now a navigable PDF! Have fun with these resources for designing your own interdisciplinary, experiential courses or improving an existing course. Thanks to Erica Venton and the Provost's Communications Team for developing this playful resource with us.
Posted by: Ellie Louson
Pedagogical Design
Posted on: The MSU Graduate Le...
Creative Interdisciplinary Graduate Student Group Final Report
Posted by: Emma Dodd
Navigating Context
Posted on: #iteachmsu
CIRCLE, MSU's new Center for Interdisciplinary Research, Collaboration, Learning, and Engagement, invites interested educators to apply to be CIRCLE Affiliates!
How to Apply:
CIRCLE welcomes tenure-track faculty, non-tenure track faculty, academic specialists, postdocs, and staff members from across campus.
Applicants for affiliation in fall 2023 should submit a 1-page letter of inquiry (as a PDF) and a current CV no later than November 11, 2023 to ORI.Circle@msu.edu. Please use “Affiliate Fall 23” in the subject line. Letters should include:
-Your current research/teaching/engagement interests
-Your history of interdisciplinary activity and/or your current interest in interdisciplinarity
-How you hope to engage with CIRCLE as an affiliate faculty member
For more details about the fellowship and our upcoming CIRCLE events: https://research.msu.edu/circle/affiliate-faculty-program
How to Apply:
CIRCLE welcomes tenure-track faculty, non-tenure track faculty, academic specialists, postdocs, and staff members from across campus.
Applicants for affiliation in fall 2023 should submit a 1-page letter of inquiry (as a PDF) and a current CV no later than November 11, 2023 to ORI.Circle@msu.edu. Please use “Affiliate Fall 23” in the subject line. Letters should include:
-Your current research/teaching/engagement interests
-Your history of interdisciplinary activity and/or your current interest in interdisciplinarity
-How you hope to engage with CIRCLE as an affiliate faculty member
For more details about the fellowship and our upcoming CIRCLE events: https://research.msu.edu/circle/affiliate-faculty-program
Posted by: Ellie Louson
Navigating Context
Posted on: #iteachmsu
As you are designing learning experiences in or out of the classroom, what are your “go-to” resources? (Please share details and a link to more information if you have it!)
Posted by: Makena Neal
Pedagogical Design
Posted on: #iteachmsu
Learning about design sprints and the function of How might we statements.
Posted by: Rashad Muhammad
Pedagogical Design
Posted on: Power Automate/Apps...
ChatGpt tool for designing Power Apps and PA Flows:
https://checkmygpt.com/powerpacman
https://checkmygpt.com/powerpacman
Posted by: David V. Howe
Posted on: #iteachmsu
Online Course Design Case Studies-Accessible Version
Posted by: Breana Yaklin
Pedagogical Design
Posted on: Reading Group for S...
Well, we have reached the end of the road, at least for the 2021-2022 academic year. With that in mind, here is a list, no doubt incomplete, of possible ways we might foster and improvie student motivation, engagement, and success in the classroom:
* Digital Materials and Projects
* Provide Feedback (High Impact)
* Agency and (Assessment) Choice (Universal Learning Design)
* 21st Century Skills (Relevance and Usefulness)
* Collaborative Learning (High Impact)
* Critical (Deeper) Thinking (High Impact)
* Bloom’s Digital Taxonomy (Tasks and Feedback)
* Inclusive Pedagogy (Collaboration)
* Social Justice Pedagogy (Intersectionality, High Impact )
* Animated Explainer Videos
* Universal Design for Learning (Inclusivity)
* High Impact Practices (Feedback, Collaboration, Reflection, Capstone Project,)
* Project-based Learning/Problem-based Learning
* Digital Learning (Assessment, etc.)
* Reflective Learning
* Culturally Responsive Teaching (CRT) – Empower students and expand their capabilities through ownership.
* Create Accessible Content
* Cultivate DEI Practices (Foster a sense of belonging, instill respect, and promote tolerance for ALL members of the class and related ideas.)
* Envision and enact new ways of teaching (leading).
* Multiple Modes of Assessment.
* Continuous Improvement in Our Efforts and Course Design/Presentation
* Encourage students to adopt an interdisciplinary approach in their course projects.
Considerable overlap between some of these very broad points, but if we can incorporate even a few of these ideas into our work with undergrads, we might get just a bit closer to the pot of gold at the end of the rainbow when it comes to improved student motivation, engagement, and performance in our courses. Thank you for an interesting year everyone!
Stokes and Garth
* Digital Materials and Projects
* Provide Feedback (High Impact)
* Agency and (Assessment) Choice (Universal Learning Design)
* 21st Century Skills (Relevance and Usefulness)
* Collaborative Learning (High Impact)
* Critical (Deeper) Thinking (High Impact)
* Bloom’s Digital Taxonomy (Tasks and Feedback)
* Inclusive Pedagogy (Collaboration)
* Social Justice Pedagogy (Intersectionality, High Impact )
* Animated Explainer Videos
* Universal Design for Learning (Inclusivity)
* High Impact Practices (Feedback, Collaboration, Reflection, Capstone Project,)
* Project-based Learning/Problem-based Learning
* Digital Learning (Assessment, etc.)
* Reflective Learning
* Culturally Responsive Teaching (CRT) – Empower students and expand their capabilities through ownership.
* Create Accessible Content
* Cultivate DEI Practices (Foster a sense of belonging, instill respect, and promote tolerance for ALL members of the class and related ideas.)
* Envision and enact new ways of teaching (leading).
* Multiple Modes of Assessment.
* Continuous Improvement in Our Efforts and Course Design/Presentation
* Encourage students to adopt an interdisciplinary approach in their course projects.
Considerable overlap between some of these very broad points, but if we can incorporate even a few of these ideas into our work with undergrads, we might get just a bit closer to the pot of gold at the end of the rainbow when it comes to improved student motivation, engagement, and performance in our courses. Thank you for an interesting year everyone!
Stokes and Garth
Posted by: Stokes Schwartz
Pedagogical Design
Host: MSU Libraries
Artist Workshop: Using 360 Cameras to Show Changes to Place
Join the DSL Graduate Arts Fellow, Hailey Becker (Art, Art History and Design and Forestry) in a workshop on using 360 cameras to capture changes to place. Participants will be guided through the basics of recording and editing 360 footage, ending with their footage being displayed in the Digital Scholarship Lab 360 Room. Using 360 footage can be a great way to archive an artistic practice or scientific research. No experience required, all levels welcome!
Navigating Context
Host: MSU Libraries
Intro to Modeling for 3D Printing: TinkerCad Zipper Pull
Get creative with 3D printing in this hands-on beginner workshop at the MSU Libraries Hollander Makerspace—a space where all students can explore, design, and make.
You’ll learn how 3D printing works, design your own custom zipper pull using simple modeling tools in Tinkercad, and watch it print before your eyes. No experience needed—we’ll guide you step by step as you combine shapes to bring your design to life. Your custom zipper pull is yours to keep—use it to fix a broken zipper, personalize your gear, or show off your new tech skills!
Attendees will need to arrive with or be willing to make a free Tinkercad account with a valid email address.
Navigating Context
Host: MSU Libraries
Intro to VR @DSL: Drop-in Session
Curious About Virtual Reality?
Whether you're completely new to VR or already exploring it for research, storytelling, gaming, art, or education our Drop-in VR sessions are for you! Stop by the Digital Scholarship Lab to try out one of our HTC Vive XR Elite headsets, get hands-on experience and learn about our VR Headset Loan Program.
Intro to VR @ DSL is here to help you explore the possibilities of Virtual Reality, whether you're looking to:
- Experience immersive gameplay: for fun, fitness, storytelling, or team-building
- Create in 3D: With sculpting, painting, designing and more
- Explore the world: travel virtually to natural landscapes, historical sites, landmarks and more
- Try a simulated experience: from floating in space to riding a roller coaster, even performing surgery
No experience is needed, just bring your curiosity and dive in!
Drop-In VR Sessions
Sept 10th, Sept 24th, Oct 29th, & Nov 19th
From 4:00 PM – 7:00 PM
For parking information visit http://maps.msu.edu/interactive.
If you have questions about accessibility or need to request accommodations, please email lib.dl.accessibility@msu.edu.
Navigating Context
Host: MSU Libraries
Sew What? Getting Started with a Sewing Machine
Discover the joy of sewing! This beginner-friendly session will guide you through the essentials of how a sewing machine works, using a mechanical sewing machine. Learn valuable skills while creating a project to take home. Perfect for anyone eager to learn the basics, this workshop is designed to boost your confidence and spark creativity!
Navigating Context
Host: MSU Libraries
Intro to VR @ DSL: Drop-in Session
Curious About Virtual Reality?
Whether you're completely new to VR or already exploring it for research, storytelling, gaming, art, or education our Drop-in VR sessions are for you! Stop by the Digital Scholarship Lab to try out one of our HTC Vive XR Elite headsets, get hands-on experience and learn about our VR Headset Loan Program.
Intro to VR @ DSL is here to help you explore the possibilities of Virtual Reality, whether you're looking to:
- Experience immersive gameplay: for fun, fitness, storytelling, or team-building
- Create in 3D: With sculpting, painting, designing and more
- Explore the world: travel virtually to natural landscapes, historical sites, landmarks and more
- Try a simulated experience: from floating in space to riding a roller coaster, even performing surgery
No experience is needed, just bring your curiosity and dive in!
Drop-In VR Sessions
Sept 10th, Sept 24th, Oct 29th, & Nov 19th
From 4:00 PM – 7:00 PM
For parking information visit http://maps.msu.edu/interactive.
If you have questions about accessibility or need to request accommodations, please email lib.dl.accessibility@msu.edu.
Navigating Context
Host: CTLI
The Educator Exchange Learning Community
The Educator Exchange is intentionally designed to provide protected time and space for meaningful connections about our work and paths as educators. We believe that the best [lifelong] learning occurs when we connect in spaces that affirm our experiences and celebrate our unique perspectives! Our aim is to be a community of practice where you can openly share when things don’t go as expected and brainstorm solutions to challenges, explore teaching practices in different ways, talk through the challenges of educator roles in myriad situations, and cultivate joy in the celebration of each other’s successes. Join The Educator Exchange and rediscover the joy of being part of a caring community dedicated to uplifting one another and making a positive impact in our classrooms, labs, and beyond. This offering is facilitated in collaboration with the Office for Faculty and Academic Staff Development. Check out their website more about MSU's formal Learning Communities [hyperlink: https://ofasd.msu.edu/teaching-learning/learning-communities/]
Upon completion of this learning experience, participants will be able to:
Build connections and foster a supportive community among MSU educators by sharing experiences, challenges, and successes
Exchange innovative teaching strategies and best practices to improve instructional effectiveness
Encourage peer-to-peer learning and reflection to promote professional growth, student engagement, and educator well-being.
Navigating Context
EXPIRED
Host: CTLI
Supporting Student Success Through Early Warning: Strategies for Graduate Teaching Assistants
On behalf of the GREAT office at The Graduate School, check out Supporting Student Success Through Early Warning: Strategies for Graduate Teaching Assistants
Date: Wednesday, September 10, 2025 - 11:00am to 12:00pm
Location: Zoom
Audience: Current Graduate Students & Postdocs
This interactive session is designed to support Graduate Teaching Assistants in recognizing and responding to early signs that students may be in need of support. Participants will explore their role in MSU’s early warning efforts and develop practical strategies to promote academic engagement, connection, and timely support. The session will include discussion of common indicators that students may be facing challenges affecting their educational success, strategies for effective communication, and how to use campus resources and reporting tools like EASE to provide timely support.
Facilitator(s):
Kanchan Pavangadkar, Director of Student Success for the College of Agriculture and Natural Resources (CANR)
Dwight Handspike, Director of Academic Advising & Student Success Initiatives, Undergraduate Academic Services, Broad College of Business
Samantha Zill, Human Biology & Pre-Health Advisor, Michigan State University, College of Natural Science
Maria O'Connell, University Innovation Alliance Fellow, Undergraduate Student Success Strategic Initiatives Manager, Office of Undergraduate Education
Register Here
**Zoom link will be sent closer to the workshop date.
Navigating Context
EXPIRED
Host: MSU Libraries
Artist Talk: “Where the Light Gets In” - Engaging the Community About Tree Removals on Campus
Artist and researcher Hailey Becker (Art, Art History and Design and Forestry) will give a brief talk about her series of art installations marking the removal of trees on campus with beams of light and recount her journey to display and document the work in the Digital Scholarship Lab (DSL), including a short 360 video and an interactive campus tour of the installations. After the talk and opportunity to view the work in the DSL, the artist will take attendees on the interactive campus tour to see how areas of campus have changed over time and how these changes affect our sense of place and relationship to the environment. Light refreshments will be provided.
Navigating Context
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